The most insightful and engrossing work we have had from the widely admired biographer of Frank Lloyd Wright ("Captivating ... The reader comes away with an understanding of Wright as a man as well as an architect" -- Washington Post Book World ... "Spellbinding" -- Boston Globe), of Bernard Berenson ("Authoritative and fascinating" -- Philip Toynbee, The Observer ... "A memorable opus" -- Sir Harold Acton), and of Kenneth Clark ("Splendid, enthralling" -- Wall Street Journal). Here is Leonard Bernstein, full scale and fully alive -- the child prodigy, the man, the composer, the teacher, the hugely charismatic personality, the lover, the American folk hero. Everything is here: the child growing up in a Hasidic family in Massachusetts, his father a rabbi's son; his first piano at age nine ("I remember touching it ... It was my contact with life, with God"); his reluctant, brilliant, argumentative years at Harvard; the rocky but exhilarating start of his career (scant jobs, no money, but friendships with Aaron Copland, Virgil Thomson, Judy Holliday, Comden and Green, et al.); his spectacular debut (understudy into a star!) as substitute conductor at the New York Philharmonic; the great career over the years as a composer in classical music (the Kaddish Symphony, Chichester Psalms, Songfest), and in musical theater (On the Town, Wonderful Town, Candide, West Side Story, Mass, 1600 Pennsylvania Avenue). We see Bernstein: the good father to his three children, the man who adored his wife, Felicia Montealegre, the man who adored men, the brilliant and generous mentor, the temperamental artist, the hypochondriac, the politician, the businessman, the Pied Piper ... His life, hismusic, the great international cultural world in which he traveled, are richly and vividly portrayed in this magnificent biography, alive with music -- and with life. "From the Hardcover edition.
A biography of the eighteen-century Austrian composer.
While detained in a German prison camp, a French composer is given a rare opportunity to write music again.
It is interesting to read this in Michael R. Booth's introduction to a volume of Robertson's plays : This audience [ at the Prince of Wales's ] did not seek to have its comfortable middle - class values challenged , nor was it sceptical ...
Casting must have been done in early winter, when Queenie Smith was free of her previous engagement, the musical Helen of Troy, which closed in New York on 1 December 1923.7 Smith, who went on to appear in further musicals, ...
Jahrbuch der Zeitschrift Opernwelt , Zürich , 1999 , S. 40-44 Rokeah , David : Du hörst es immer , Hanser , München , 1985 Roth , Markus : „ Der Gang ins Verstummen . Heinz Holligers Beiseit - Zyklus nach Robert Walser “ , in : Musik ...
A superb, illustrated account of the lives and works of the most respected and eminent classical composers through the ages
"Discover classical music through the ages, and the lives of the people who wrote and performed it.
Neil Diamond has been responsible for writing some of the most memorable songs in pop music history and he has sold in excess of 120 million albums.
A new, expanded edition of Richard Wagner's letters to his family.
46 , 62 , 63 , 69 , 70 , 76 , 83 , 84 , 87 , 91 , 93 , 101 , 124 , 126 , 130 , 131 , 134 , 166 , 167 , 183 , 186 , 187 , 195 , 200 , 212 , 217 , 228 - 231 , 241 , 244 , 281 , 284 , 333 , 465 , 497 Perales . 199 Pereda , José María .