An authoritative, richly illustrated history of six centuries of global protest art Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth’s Gin Lane, Thomas Nast’s political caricatures, French and British comics, postcards from the women’s suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the “Silence=Death” emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong’s Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women’s March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.
Here, protest manifests itself as a cultural achievement that is as vibrant and necessary as ever before. It is precisely for that reason that the question of the relevance and impact of protest needs to posed anew.
For example, Gemma Edwards, “Habermas and Social Movements: What's New?,” in After Habermas, ed. ... See Donnatella Della Porta and Mario Diani, Social Movements (Oxford, 1999); and Nick Crossley, Making Sense of Social Movements ...
Protest Movements covers influential protests through vivid photos, clear text, and helpful diagrams. Aligned to Common Core Standards and correlated to state standards. Core Library is an imprint of Abdo Publishing, a division of ABDO.
In further refining that analysis, Cnudde and McCrone came to several important conclusions. Instead of finding a high correlation between the representative's attitude and that of his constituents, the second study demonstrated that ...
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Direct Action showcases the voices of key players in an array of movements—environmentalist, anti-nuclear, anti-apartheid, feminist, LGBTQ, anti-globalization, racial-justice, anti-war, and more—across an era when American politics ...
Bruce Dancis arrived at Cornell University in 1965 as a youth who was no stranger to political action.
Drawing on the celebrated collection in the Tamiment Library’s Poster and Broadside Collection at New York University, Ralph Young has compiled an extraordinarily visceral collection of posters that represent the progressive protest ...
This gorgeous collection celebrates this rich and diverse history, the often-overlooked stories, and the courageous people who continue to teach us the importance of coming together to march today.
A striking collection of 500 of the most inspiring, provocative, humorous, and hopeful signs from the Women’s March on Washington and “sister marches” across the globe