From an acclaimed cultural critic, a narrative and social history of the Great American Songwriting era. Everybody knows and loves the American Songbook. But it’s a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn’t Gershwin, Porter, and Berlin, but “Come on-a My House” and “How Much Is That Doggie in the Window?” Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews—the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert—the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It’s destined to become a classic of American musical history.
These are the books that slipped through the cracks, went unread, missed their rightful appointment with posterity. They were ahead of their times or behind their times or on a whole different schedule than the rest of the universe.
Nothing more. Right?Yet, every moment we spend together tests a little bit more of my self control. When it turns out my roommate is not as straight as I once thought, I have to decide if this is one playlist I should listen to.
Questions central to the essays include: How has this album influenced your worldview? How does this album intersect with your other creative and critical pursuits? How does this album index a particular moment in cultural history?
While The House of Hunger is the centerpiece of this collection, readers are also treated to a series of short sketches in which Marechera, with angry humor, further navigates themes of madness, violence, despair, and survival.
Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage.
Five Hundred
... and then I said that if he had ever come across the poem of Keats on looking into Chapman's Homer he would probably be interested and surprised to see that this was what Chapman had written: De dumty dumty dumty dum love saw their ...
"This story, if it is one, deserves the closure of a suicide, perhaps even the magisterial finality of what is usually called a novel, but the remnants of that faraway time offer nothing more than a taste of damp ashes, a feeling of ...
Just as a collection of a musician's B-side cuts and outtakes, or the scenes that didn't quite make it into a movie, speak volumes about the project as a whole, and offer their own kind of magic by their very excision, so too does B Sides, ...
But it's through the mastery of your Side B legacy that unlocks your true leadership potential. Side B is a masterful composition and Paula S. White is its Maestra.