History has been fodder for cinema from the silent era to the blockbuster present, a fact that has seldom pleased historians themselves. As pundits increasingly ponder "how Hollywood fails history," Robert Toplin counters with a provocative alternative approach to this enduring debate over the portrayal of history in film.
Toplin focuses on movies released over the past sixteen years—during which twelve historical films won the Oscar for Best Picture—and argues that critics often fail to recognize the unique ways that fictional films communicate important ideas about the past. A trenchant extension of his highly regarded History by Hollywood, Toplin's new work establishes commonsense ground rules for improving critical analysis in this area. Citing films like Gladiator and Braveheart, Gandhi and Nixon, he underscores the pressures placed on filmmakers to simplify and alter historical fact to conform to the demands of an extraordinarily expensive mass medium.
Toplin demonstrates how a historical epic like Glory may contain "creative adjustments" that worry historians but shows how its distortions communicate broader and deeper truths about the Civil War experiences of African Americans—just as Saving Private Ryan presented little factual detail about World War II and yet effectively conveyed the experience of combat. He also shows how other films—such as Mississippi Burning, Amistad, and The Hurricane—contain so many elements of fictional excess and oversimplification that they deserve the criticism they receive.
Toplin deliberately steers a middle course between tradition-minded critics who castigate films for artistic liberties and cinema scholars wedded to pure aesthetics. He also draws upon his own experiences in film production and takes direct aim at recent writing about film dominated by jargonistic theory and empty rhetoric. He urges film studies scholars to move beyond their preoccupation with formal aesthetics and recognize that, in historical films, content does matter.
In engaging prose that will appeal to any moviegoer, Reel History helps build bridges between defenders and detractors of history-by-Hollywood and enlarges our understanding of film as a communicator of truths about the human condition.
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... and, judging by the strange new media venues, "Saturday Night Live," "Donahue," and gossip columnist Lany King's radio and television call-in shows on which 1992's Losing 245.
His stature within the party leadership would suffer a significant blow at the Cleveland convention . Although both Lodge and Coolidge came from Massachusetts , they represented very different elements in their state's Republican party ...
(英)玛丽奥特, 李菲. 疆域达到了最大,罗德岛、塞浦路斯和安纳托利亚西南岸上都是他们的地盘。迈锡尼人还将克里特文字变成了一种希腊文,翻译过来的文字显示,迈锡尼人也信仰一些古典希腊的神灵,如海神波塞冬、太阳神阿波罗和主神宙斯。
★ 《人類大歷史》作者哈拉瑞盛讚:「深具啟發、精彩好看!」 ★ 2017年《華盛頓郵報》最佳非虛構類寫作圖書 ★ 2017年美國國家公共廣播平台(NPR)年度好書 ...
Anna J. Cooper , A Voice from the South , 1892 Anna Julia Cooper , A Voice from the South ( Xenia , Ohio : The Aldine Printing House , 1892 ) : 134-135 , 138–140 , 142–145 . The book may be accessed from the Internet ...
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... inhabitants are greatly Exposd . to the Saviges by whome our wives and Childring are daly Cruily murdered Notwithstanding our most Humble Petitions Canot Obtain Redress- By an other act we are Taxd . which in our 398 APPENDICES .
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Supreme Court Justices ( continued ) Name * Years on Court Appointing President John Marshall Harlan William J. Brennan , Jr. Charles E. Whittaker Potter Stewart Byron R. White Arthur J. Goldberg Abe Fortas Thurgood Marshall WARREN E.