What's white, costs billions of dollars, and embodies the American dream?
For years, a white-gowned bride, multi-tiered white cake, and shiny gold rings have been the central icons for a grand American tradition that remains vibrant despite changing times. Now Katherine Jellison gives us a comprehensive cultural history of American weddings since World War II, examining the development of our precise and expensive standards for celebrating weddings and the staying power of this phenomenon in the face of enormous social, political, and economic upheaval.
Jellison's book is the first to examine wedding culture in the context of postwar cultural change, analyzing the mechanisms that disseminated, updated, and sustained the specific tradition of the white wedding. Tracing the ritual back to the rise of consumer culture in the postwar boom, it also examines how Americans guaranteed the survival of the white wedding into the twenty-first century by amending the ideology that supported it and reinterpreting the functions it served.
Jellison examines the ways the bridal business, the media, and consumers responded to new norms that expanded the notions of who was an appropriate white-wedding bride. She particularly examines the key influences that have sustained this cultural phenomenon for sixty years—the bridal-wear industry, celebrity weddings, movie weddings, and media coverage of the weddings-next-door—to show that the white wedding has become a unifying experience that crosses gender, class, and racial lines.
Here are the mystique of the perfect white wedding gown, a cavalcade of iconic brides from Grace Kelly to Carolyn Bessette, and the proliferation of reality weddings in magazines and on television. Jellison draws on pro-wedding writings of contemporary feminist authors, as well as oral histories of bridal couples from diverse backgrounds, and examines contemporary issues such as the legalization of same-sex marriage—and its backlash—and the post-Katrina "Hurricane Brides" project.
Engagingly written and lavishly illustrated, It's Our Day tells how a fantasy event survived counterculture movements and organized feminism to become a multi-billion-dollar industry supporting clothiers, caterers, jewelers, and florists. But more than an expos of commercialism, it is a testament to the flexibility of the dream it represents.
STORY: THE DRIVING TEST The day Michael was taking his driving test his pupils got together and wrote a whiteboard message, 'Good luck Mr Parker' [pseudonym]. They asked the teaching assistant to text him a photograph of the class in ...
Little Critter is on a mission!
Simple text reveals the anticipation of a boy who, having planted seeds while everything around is brown, fears that something has gone wrong until, at last, the world turns green.
"--KIRKUS REVIEWS "A timely story that addresses racism, civic responsibility, and the concept of whiteness." --FOREWORD REVIEWS "For white folks who aren't sure how to talk to their kids about race, this book is the perfect beginning.
But At the End of the Day.
... [the sacred name of] law?” Devising evil by law is exactly what we're witnessing in our day. We cannot legislate morality, but we must stop evildoers from leg- islating immorality. Many of our leaders—including some in our pulpits—are guilty ...
“This fun and inspiring season-by-season description of a school gardening project could encourage others to repeat this extraordinary experience.” — School Library Journal Want to grow what you eat and eat what you grow?
When Dora and Boots travel to Abuela's house for a special Sharing Day lunch, along the way they learn the value of sharing.
They were the first of a great tide of child laborers. By 1830, more than a million children worked in textile mills. Many worked from dawn till dusk every day but Sunday. They made perhaps a dollar a week, which they turned over to ...
After having a day in which nothing is right, tired toddler Bella cuddles with her mother and talks about having a more cheerful day tomorrow. Full color.