The correspondence between the British poet Ted Hughes and literary critic Keith Sagar lasted from 1969 until Hughes's death in 1998. During that time Hughes wrote 146 letters to Sagar, which show a unique dialogue between a writer and a critic. In the letters Hughes describes his creative process candidly and in great depth, offering exceptional insight into the poet at work. Their relationship, however, extended to many areas beyond literature, and the letters also cover such topics as Hughes's travels, hunting, religion, education, and his fraught relationship with Sylvia Plath. Never published before in their entirety, this collection provides a significant new perspective on Hughes's life and work.
My mother-in-law, Margaret Ryan, and my fatherin-law, Steven Lerner, also have my gratitude and my affection. And I am thankful every day for my brilliant and loving wife, Emily Ryan Lerner, and for our daughter, Agnes.
These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.
W.B. Yeats, the Poet as Critic
His most recent essay on Paul Muldoon's Hay appears in New Voices in Irish Criticism 3 (2002). Other articles on poetry from Eliot to Heaney have appeared in Irish Studies Review and Nordlit. Stephen Regan is Professor of English at the ...
. Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom ...
The text of two lectures delivered at Harvard University during the winter of 1932-1933
In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the “post-medium condition”—the abandonment by contemporary art of the modernist emphasis on the medium as ...
Selections from Matthew Arnold's Poetry
Joy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road.
Johnson as Critic