From the first major discoveries in the 19th century, the painted panel and shroud portraits of Roman Egypt were a revelation to scholars and the public alike. Though the subjects of the portraits believed in the traditional Egyptian cults which offered them a firm prospect of life after death, they also wished to be commemorated in the Roman manner, the portraits focusing on their status in life. The images reveal the adoption of Roman fashions in dress and personal adornment by persons remote from the centre of the empire, but likely to have been actively engaged in its local administration. Many of the best known mummy portraits come from the Fayum, but portraits in various media are known from sites in the Nile Valley and along the Mediterranean coast. This text presents a wide range of examples, showing Roman influence coexisting with traditional Egyptian ways of commemorating the dead.
The painted panel and shroud portraits of Roman Egypt constitute the only corpus of coloured images of individuals to survive from classical antiquity.
Ancient Faces
Finds evidence in ancient Indian stone images supporting the theory of Semitic and Negroid peoples existing in the pre-Columbian Americas
Ancient faces from Roman Egypt: Fayum portraits ; a coloring book for the Egyptian Museum Cairo
This volume on different aspects of warfare and its political implications in the ancient world brings together the works of both established and younger scholars working on a historical period that stretches from the archaic period of ...
in Simon Knell, Suzanne Macleod and Sheila Watson (eds), Museum Revolutions: How Museums Change and Are Changed, London: Routledge, pp. 343-54. Brook, W H. (1981), 'Advancing Science: The British Association and the Professional ...
The volume offers new insights into the intricate theme of silence in Greek literature, especially drama.
At the end of the 19th century Egyptologists discovered, in two robbed tombs at Luxor, the remains of over 40 mummies dating from the 17th to the 21st Dynasties (1580...
UC 19607 passable NB 38b: 62, In 3 poor in front of painted alabaster Ancient Faces 30 cenotaph 44 Petrie Museum UC 30081 NB 37:48, Split much colour gone NB 38b: 62, ♀ much colour gone split pl. XXVI much colour lost split Ancient ...
THE MODERN DISPLAY OF ANCIENT FACES By 1936, the mummy portraits were no longer considered important for the story of European art put forward in the National Gallery; they were removed from display and loaned to the British Museum.