This beautiful book reproduces in full the famous and rarely seen British Museum collection of drawings and watercolours made by John White, who in 1585 accompanied a group of English settlers sent by Sir Walter Raleigh to found a colony in Virginia, along the tidewaters of coastal North Carolina. Whites duties included making visual records of everything then unknown in England, including plants, animals and birds as well as the human inhabitants, especially their dress, weapons, tools and ceremonies. The collection also includes his watercolours of Florida and Brazilian Indians, and the Inuit encountered by Martin Frobisher. In this landmark catalogue, each work is reproduced in colour and is thoroughly described, supplemented by engravings by Theodor de Bry and other comparable works. The introduction is followed by three specially commissioned chapters covering John White himself, the indigenous inhabitants, and their historical context. The book explores White's role as a colonist, surveyor and artist who not only recorded the plants and animals but also provided a window on a now lost Native American culture and way of life.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei