The real and imagined legacy of the ancient Celts has shaped modern identities across the British Isles and retains a powerful hold over the popular imagination. Furthermore, Celtic art is one of Europe's great artistic traditions, with the skills of Celtic craftspeople standing alongside the best of the ancient and medieval worlds. But who were the Celts? Recent research and new archaeological discoveries are continuing to transform our understanding of the idea of the Celts - a subject involving much controversy and academic debate since the late 1990s. Drawing on the latest scholarship, the authors explore how the Celts have been defined differently from ancient times to the modern day, by people with different perspectives and agendas. They look, too, at what is meant by Celtic art, from its origins c.500 BC in western Europe, through its transformations and revivals in the Roman, Anglo-Saxon and medieval periods, to its rediscovery in Britain in the eighteenth and nineteenth centuries. Over 250 remarkable objects have been selected from the collections of the British Museum, the National Museums of Scotland and other key European museums to richly illustrate the narrative and highlight the artistic accomplishments of craftspeople through the centuries. Here are iconic, intricately decorated masterpieces as well as less well-known fixtures and fittings; items of warfare and adornment; the ceremonial and the utilitarian.
Liam O'Flaherty's Dúil ' , Éire - Ireland 24 , irlandaise conservés dans les Îles Britanniques et Daniel , Catherine , Enlli : Porth y Nef . no . 4 ( 1989 ) 75–88 . sur le Continent . Nieuwkoop : B. de Graaf , Liverpool : Gwasg y ...
责任者取自封面折页
著者取自版权页。
This revised paperback edition of the landmark volume that accompanied an exhibition at the Palazzo Grassi takes the reader on a voyage through many eras, places, and themes to rediscover the story of a people still in some ways shrouded in ...
In this pocket volume, Celtic coin artist and researcher Simon Lilly unveils the amazing lost world of early European art hidden in museums and private collections all over the world.
Diners: People and Places
Detail of cloth from Llangorse crannog , with a pattern that appears to be worked in a form of soumak ( weft - wrap weave ) brocading , or embroidery imitating it Reconstruction of the crannog , looking from the north .
Olmsted Garrett: Celtic art in transition during the first century BC, Innsbruck 2001. Raftery Barry: Pagan Celtic Ireland. The Enigma of the Irish Iron Age, London 1994.Ryan Michael (Hrsg.): Ireland and Insular Art, AD 500–1200, ...
Drawing inspiration from a wide variety of Celtic symbols, Celtic Cross Stitch is filled with 50 fully detailed and charted projects that burst with color.
Figures from the Past: Studies on Figurative Art in Christian Ireland in Honour of Helen M. Roe