What makes a work of art Christian -- is it in the eye of the artist or the viewer? How was and is Christian art created? How has it been sustained over 2000 years? And what is its relationship to the art of other great world religions? These are some of the fascinating questions discussed in this thoughtful book about our understanding of Christian art today. Many themes explored in the book are universal human ones: food as an expression of friendship and welcome, the stories of refugees seeking asylum and how people cope with old age, for example. Drawing extensively on the international collections of the British Museum, themes in Christian art are followed through a wide range of objects, from pilgrim tokens to ivory figurines and gold and enamel reliquaries, and from a rich selection of prints and drawings to Byzantine, Greek and Russian icons. Significant paintings and manuscript illuminations are also included. Stunning examples of the decorative arts yield original and lesser-known Christian iconography.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei