At the turn of the nineteenth century, Art Nouveau was both Europe and America's boldest and most fashionable style. It could be seen in the sinuous ironwork of the new Paris Metro stations, the curving asymmetry of Lalique's jewellery and Tiffany's Japanese-inspired glassware. Art Nouveau brought a new decorative language to textile design, furniture, jewellery and graphic arts, as well as architecture, sculpture and painting. Known by a variety of names -- Jugendstil in Germany, Secession in Austria, the Modernista movement in Catalonia -- it was a truly international 'new art' for a new age.
In this comprehensive and lucid book, Stephen Escritt defines Art Nouveau broadly, analysing the work of such diverse designers as Victor Horta in Belgium, Emile Galle in France, Charles Rennie Mackintosh in Glasgow and Antoni Gaudi in Barcelona. He argues that Art Nouveau was evolutionary, drawing on a range of sources including the French Neo-rococo, the English Arts and Crafts Movement and Symbolism, as well as revolutionary, exploring the inherent possibilities of steel and glass and the functionalism that was to be taken up by the Modern Movement. This is the first book to examine Art Nouveau worldwide in the context of the issues of the age, from fin-de-siecle anxieties about the pressures of modern life to nationalism, spiritualism, the emancipation of women and the heroic cult of youth.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei