The Last Supper is not only one of the most intensely dramatic episodes in the Gospels, but also has enormous symbolic significance as the origin of the central Christian ritual of the Eucharist or Holy Communion. With its large cast of characters and its underlying theme of betrayal, it has been a tirelessly compelling subject for a diversity of artists throughout the centuries.
Presented here in a chronological sequence are over 100 of the finest representations of the subject, each demonstrating how the artist has responded to the complex challenge of creating a convincing group of individual personalities, and expressing the relationships between them.
Like its companion volumes Annunciation, Crucifixionand Descent, Last Supperpresents a focused meditation on a single theme that is infinitely rich, allowing the viewer to appreciate the nuances of character and the endless skill with which artists have created new masterpieces out of old materials. Whether one focuses on the religious mystery, the human drama or the marvellous skill of the artist, these uncluttered and simply presented works of art provide endless food for thought and contemplation.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei