Winslow Homer (1836–1910) was one of the most important American painters of the late nineteenth century. His prolific output, embracing a wide range of styles and themes, is characterized by uncompromising realism and a strong sense of graphic design, a legacy of his early years as a magazine illustrator. He first came to prominence as a painter with his depictions of the Civil war, and his scenes of rural American youth, Adirondack hunters, and north-Atlantic fishermen have become iconic American images.
Randall Griffin’s thoroughly researched yet very readable study not only presents a full account of Homer’s life and work, but also a fresh and provocative reassessment of his place in the history of American art. Homer’s work is popular and accessible, and Griffin’s text aims to be the same. His solid documentation, original research and fresh interpretation will satisfy the needs of scholars and general readers alike.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei