A radical re-evaluation of American modernism The importance of American artists in the history of modern art is well-known and well-documented, from Jackson Pollock to Mark Rothko and Andy Warhol. However, the work of such artists did not spontaneously appear after World War II, nor was it simply transplanted from Europe. There is a longer, subtler history of the development of modernism in relation to American artists, as well as teachers, patrons and collectors, which can be traced through the first half of the twentieth century. William C. Agee's analysis includes artists working in the first half of the century, such as Arthur Dove, Stuart Davis, Charles Demuth, Marsden Hartley, Georgia O'Keeffe, and John Marin, as well as a discussion of the continuity between this period and the artists who went on to become celebrated internationally, such as Arshile Gorky, Edward Hopper, Helen Frankenthaler, Willem de Kooning, Morris Louis, Robert Rauschenberg, Jasper Johns and Donald Judd. Agee also integrates the work of certain European artists who became central to modern American art. Paul Cézanne, Henri Matisse, Marcel Duchamp and Piet Mondrian as well as Josef Albers and Hans Hofmann became influential teachers (and eventually American citizens), impacting strongly on the likes of Stuart Davis and many others, who have not necessarily been compared or connected to the European art canon previously. As a radical re-evaluation of art history from the early twentieth century to the late 1960s, this brilliant new account of American modernism is a must-read for students and scholars of art as well as all those interested in modernism and its wider cultural history.
This new book focuses on two series of works "Torn Signs" and "Semana Santa" that Crawford developed mostly over the course of the last 20 or so years of his life.
This magnificent new book presents the works of the Vilcek Collection, an unparalleled private collection of American Modernist art.
A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting - abolishing colour in order to focus on material, ...
Lectures on Nuclear Theory
A revised and expanded edition of a best-selling divination system, based on ancient Native American traditions, uses fifty-two power animals to help heal the body, mind, and spirit, featuring beautifully designed cards and an informative ...
This is a highly significant intellectual construct, but its origins have not yet been understood.
Rather than being a “Surrealist” painting, Yang Taiyang's Still Life shows many similarities to the work of the founder of the Metaphysical School, Giorgio de Chirico (1888–1978). Examples by the Italian which show such similarities ...
In 1942 Pearson had been a powerful influence in the removal of the Japanese from the coast, with no respect for the rights of Japanese Canadians born and raised in Canada.“ And in March 1944, in reaction to a private member's bill that ...
... and Dale R. Corson (1914–2012) synthesized the isotope 21185 by bombarding bismuth with α particles. ... 1940, 210, 696. von Labhart, H.; Medicus, H. Tatung der Schweizerischen Physikalischen Gesellschaft, 1943, 225.
Co-Art: Artists on Creative Collaboration explores this phenomenon through conversations with twenty-five leading art-world pairs and groups, who offer insight that is relevant beyond the art world, making this book vital for all who seek ...