This study analyzes the influences of ancient Egypt on the art, architecture and design of Europe. It begins with a consideration of the ancient civilization of the Nile Valley and demonstrates the widespread adoption of Egyptian deities and motifs in the Greco-Roman world. It goes on to describe the enormous range of Egyptianizing objects that were made in the lands of the Roman Empire and which constitute the first manifestations of the Egyptian revival. It continues with the survival of these themes during the Dark and Middle Ages, and the influential rediscovery of both Ancient Egyptian and Egyptianizing Roman works during the Renaissance.
"Egyptomania," the West's obsession with the strange and magnificent world of Ancient Egypt, has for centuries been reflected in architecture, literature and the performing arts.
Conflicted Antiquities is a rich cultural history of European and Egyptian interest in ancient Egypt and its material culture, from the early nineteenth century until the mid-twentieth.
Accompanying an exhibition held at the Fitzwilliam Museum, Cambridge, from September 2004 to May 2005, this volume contains more than one hundred objects which reflect the earliest episode of Egyptomania....
Find out all about Ancient Egypt in this beautifully illustrated and innovative Lift The Flap book.
The relationships between ancient Egypt and other cultures transcend time, so in this volume of the Journal of Ancient Egyptian Interconnections the reader will find a sampling of the diverse ways in which these have manifested: a 19th ...
For the Artemis sanctuary at Ephesos, see Hölbl 2008 (as fn. 24). 38 Peter S. Wells, How Ancient Europeans Saw the World: Vision, Pattern, and the Shaping of the Mind in Prehistori Times, Princeton: Princeton University Press, 2012, pp.
80 Haviland , The Practical Builder's Assistant , 89 , quoted in Peggy McDowell and Richard E. Meyer , The Revival Styles in American Memorial Art ( Bowling Green : Bowling Green State University Popular Press , 1994 ) , 133 .
"A unique phenomenon in the history of art, Egyptomania was born at the juncture of science and imagination. It draws its substance from scholarly knowledge about ancient Egypt, from the...
Asking who these Egyptomaniacs were and why they chose Egypt, Hana Navrátilová looks at the historical and cultural background of the period, arguing that Egyptian revivalism was important for both Czech cultural development and the ...
This work is an attempt to highlight the idea that, Egyptomania as universal phenomenon can still be approached and handled with people who have links to Pharaonic traditions and familiarity with the Egyptian land itself.