Peter Greenaway has an international reputation as one of the most innovative, stylish and intelligent of contemporary film-makers. His eight feature films, from The Draughtsman's Contract to The Pillow Book, have variously, and sometimes simultaneously, prompted controversy, infamy, acclaim and delight. However, Greenaway is an artist whose work also includes painting; collage; experimental TV; the novel/opera Rosa; and numerous exhibitions/installations, including The Stairs, a continuing series of ten projects in ten cities exploring the basic components of cinema. Being Naked Playing Dead explores the complete oeuvre, but centres firmly on Greenaway's insistence that his is 'a cinema of ideas not plots'. Each film is discussed within a thematic analysis of the full range of Greenaway's output and the wider contexts within which it is conceived. In conclusion there are two extended interviews, making this book essential reading for all Greenaway enthusiasts.
Alan Woods, Being Naked, Playing Dead: The Art of Peter Greenaway 37 38 (Manchester: Manchester University Press, 1996), p. 254. Woods, Being Naked, Playing Dead, p. 254. Roy Armes, A Critical History of British Cinema (Oxford: Oxford ...
23 Alan Woods , Being Naked , Playing Dead ( Manchester , 1996 ) , p . 251 . 24 Quoted in Alan Woods , Being Naked , Playing Dead , p . 57 . 25 My account is indebted to Gordon Hendricks , Eadweard Muybridge : The Father of the Motion ...
87 wanted someone who had the reputation of being controversial but was safe. You I'm afraid they saw as just controversial.7 the tempest In Being Naked Playing Dead: The Art of Peter Greenaway, Alan Woods remarks of Jarman and ...
Whether the thing imagined to be 'in the way' of the beholder is one of Morris's precise geometric fibreglass constructions of the mid-1960s or is a piece more like Monogram, the art object is here described in terms of an obstacle.
5 See David Pascoe, Peter Greenaway: Museums and Moving Images (London: Reaktion Books, 1997); and Alan Woods, Being Naked, Playing Dead (Manchester: Manchester University Press, 1996). 6 Woods, Being Naked, Playing Dead, 203.
43 Greenaway , quoted in Woods , Being Naked Playing Dead , 282 . 44 Wollen , " The Last New Wave , " 45 . 45 Jarman , quoted in Hacker and Price , Take Ten , 255 . 46 Driscoll , " The Rose Revived , ” 78 .
Learning. from. the. Loo. Harvey Molotch PUBLIC AND TOILET do not sit well together. The discord goes beyond words. Using the facility—let's call it that for now—involves intensely private acts. Focusing on the public restroom, ...
This collection offers a multi-faceted exploration of transmediations, the processes of transfer and transformation that occur when communicative acts in one medium are mediated again through another.
Salzani explains the connection between Agamben's 'naked life' and Walter Benjamin's das bloße Leben, ... 2006); Alan Woods, Being Naked, Playing Dead: The Art of Peter Greenaway (Man ester: Man ester University Press, 1996) and Amy ...
Complicating matters further is the use of actors to play corpses. ... which survive—and the use of real (unclothed) actors to play fake corpses (being naked, playing dead) is driven home in some of the events onscreen.