Modern Women on Trial looks at several sensational trials involving drugs, murder, adultery, miscegenation and sexual perversion in the period 1918–24. The trials, all with young female defendants, were presented in the media as morality tales, warning of the dangers of sensation-seeking and sexual transgression. The book scrutinises the trials and their coverage in the press to identify concerns about modern femininity. The flapper later became closely associated with the 'roaring' 1920s, but in the period immediately after the Great War she represented not only newness and hedonism, but also a frightening, uncertain future. This figure of the modern woman was a personification of the upheavals of the time, representing anxieties about modernity, and instabilities of gender, class, race, and national identity. This accessible, extensively researched book will be of interest to all those interested in social, cultural or gender history.
The suggestion that the leg of a chair could have been the murder weapon was later disputed by David Dick who was a witness for the Crown and was one of the few individuals to see the crime scene first hand.
Mona Chollet's In Defense of Witches is a “brilliant, well-documented” celebration (Le Monde) by an acclaimed French feminist of the witch as a symbol of female rebellion and independence in the face of misogyny and persecution.
Equality on Trial examines how a generation of workers and feminists fought to infuse the law with broad notions of sex equality, reshaping workplaces, activist channels, state agencies, and courts along the way.
For fraternity song, see Together, UCLA feminist newsmagazine, coedited by Katrina Foley and Sheila Moreland, March 1992. 56. Sanday (1990:140–41). 57. Koss and Gaines (1993:104–5). 58. Sanday (1990: Chapter 7). 59.
They use P.K. Marshall's edition of 2002 (Hyginus: Fabulae. editio altera, a revised edition of the 1993 one (Munich, 2002). However, as this was put together from Marshall's notes after his death, it has its own problems; ...
"This compelling and important discussion of the gender stereotypes that continue to plague both women and men is situated in the context of the legal workplace but is accessible to people in all professions.
A study of the crimes of women in early modern Germany, this text draws on court records to examine the lives of shrewd cutpurses, quarrelling artisan wives, and soldiers' concubines.
This book provides a philosophical and psychological perspective as well as practical advice from one of the country’s leading matrimonial lawyers.
The book is now reissued as a Veritas paperback, with a new foreword by Kecia Ali situating the text in its scholarly context and explaining its enduring influence. “Ahmed’s book is a serious and independent-minded analysis of its ...
The long-silenced voices of women in early modern Spain - from nuns and actresses to noblewomen and witches - who responded to the dominant "culture of control."