In this loose retelling of Howard's End, Zadie Smith considers the big questions: Why do we fall in love with the people we do? Why do we visit our mistakes on our children? What makes life truly beautiful? Set in New England mainly and London partly, On Beauty concerns a pair of feuding families—the Belseys and the Kippses—and a clutch of doomed affairs. It puts low morals among high ideals and asks some searching questions about what life does to love. For the Belseys and the Kippses, the confusions—both personal and political—of our uncertain age are about to be brought close to home: right to the heart of family.
Why do we visit our mistakes on our children? What makes life truly beautiful? Set between New England and London, On Beauty concerns a pair of feuding families - the Belseys and the Kipps - and a clutch of doomed affairs.
world of natural and artifactual, physical and metaphysical beauty should be turned away from. It seems that at most we should be obligated to give up the pleasure of looking at one another. No detailed argument or description is ever ...
"Every woman has beauty," says Stafford, "but not everyone sees it. I want you to see it." In Beauty by the Book she bares her heart to readers, laying out the Scriptures, promises, and truths women need to know to find their true value.
In this definitive interactive guide to gorgeous hair, glowing skin, beautiful makeup, a healthier body, and a stronger fashion sense, in addition to Eva’s insight, captivating photography, and illustrations, this enhanced ebook includes ...
Nutrition is the fastest-rising beauty trend around the world. Eat Pretty simplifies the latest science and presents a userfriendly program for gorgeous looks, at any age, that last a lifetime.
With fries. The Autograph Man is a deeply funny existential tour around the hollow trappings of modernity: celebrity, cinema, and the ugly triumph of symbol over experience.
Peters asks us to rethink the common assumption that Hegelian beauty is exclusive to art and argues that for Hegel beauty, like art, is subject to historical development.
From Defoe and Stevenson, possibly Walter Scott, and any number of less exalted authors, they have acquired this idea of adventure, and they don't consider themselves to be excluded from it simply because they're children.
"First published in hardback as Beauty, 2009"--T.p. verso.
Rome: Commissio Leonina; Paris: Cerf, 1996. _____. Commentary on the Book of Causes [Super Librum De Causis Expositio]. Translated by V. A. Guagliardo, C. R. Hess, and R. C. Taylor. Introduction by V. A. Guagliardo.