In this gracefully written, accessible and entertaining volume, John Semonche surveys censorship for reasons of sex from the nineteenth century up to the present. He covers the various forms of American media—books and periodicals, pictorial art, motion pictures, music and dance, and radio, television, and the Internet. The tale is varied and interesting, replete with a stock of colorful characters such as Anthony Comstock, Mae West, Theodore Dreiser, Marcel Duchamp, Opie and Anthony, Judy Blume, Jerry Falwell, Alfred Kinsey, Hugh Hefner, and the Guerilla Girls. Covering the history of censorship of sexual ideas and images is one way of telling the story of modern America, and Semonche tells that tale with insight and flair. Despite the varieties of censorship, running from self-censorship to government bans, a common story is told. Censorship, whether undertaken to ward off government regulation, to help preserve the social order, or to protect the weak and vulnerable, proceeds on the assumption that the censor knows best and that limiting the choices of media consumers is justified. At various times all of the following groups were perceived as needing protection from sexually explicit materials: children, women, the lower classes, and foreigners. As social and political conditions changed, however, the simple fact that someone was a woman or a day laborer did not support stereotyping that person as weak or impressionable. What would remain as the only acceptable rationale for censorship of sexual materials was the protection of children and unconsenting adults. For each mode of media, Semonche explains via abundant examples how and why censorship took place in America. Censoring Sex also traces the story of how the cultural territory contested by those advocating and opposing censorship has diminished over the course of the last two centuries. Yet, Semonche argues, the censorship of sexual materials that continues in the United States poses a challenge to the free speech that is part of the foundation upon which the nation is built. Indeed, in an era in which sexual images are pervasive and the need for reliable information about sex and sexuality is growing, he questions the remaining rationales for censorship and the justification for placing obscenity outside the protection of the U. S. Constitution.
This volume sheds light on one of the most explosive episodes of censure of academic scholarship in recent decades.
Censorship has been an ongoing issue from the early days of filmmaking. One hundred years of film censorship, encompassing the entire 20th century, are chronicled in this work.
In Censoring Sexuality, Paul Bailey examines and analyses the various kinds of censorship political, literary, cultural that have oppressed, silenced and, at times, destroyed homosexuals. The creative talents of these...
Those who love and live by art, tell us that it is the most exalted expression of civilized life. In this provocative new book Jonathan Dollimore argues that, far from confirming humane values, literature more often than not violates them.
Edited by Edmund Gosse and Thomas James Wise. London: William Heinemann, 1925. —. The Complete Works of Algernon Charles Swinburne, vol. 2. Edited by Edmund Gosse and Thomas James Wise. London: William Heinemann, 1925. —. The Dark Blue.
Discusses the First Amendment and censorship on the Internet
Hughes wished to star Jack Buetel as Billy and then unknown Jane Russell as Rio, Billy's girlfriend. Hughes hired Howard Hawks to direct the film. At Hughes's suggestion, Hawks features shot after shot of Russell's ample bosom as she ...
The book focuses both on formal censorship systems, including state and local censorship boards and industry self-regulation efforts, to unofficial censorship rendered by pressure groups and powerful social movements.
One frequent visitor to the house was the free lover, Spiritualist, writer, and orator Stephen Pearl Andrews. He was an individualist anarchist, concerned with personal autonomy as a universal right, believing that rights around one's ...
Problem in Modern Ethics, A, 261, 278 rainbow flags at Oxford, 296–97 role of poetry, 305 Symonds and, xvi, 278 Germ, 91 Gilbert and Sullivan, 228 Gilchrist, Anne Burrows, 176 Ginsberg, Allen, 301–3 commemoration of Leaves of Grass, ...