Our apparently indestructible fascination with romance and its various cultural representations has, so far, been inadequately reflected in academic study across the disciplines. This original collection on the ‘rescripting’ of romance in popular culture redresses the imbalance by focusing on the changing nature of the genre in film and fiction.Fatal Attractions consider the cultural representation of romance in the wake of postmodernism and postcolonialism and offers clear evidence of romance as a ‘category under stress’. The contemporary nature of the texts discussed – such as Basic Instinct, Fatal Attraction and Hotel du Lac – places it at the centre of many state-of-the-art debates concerning identity, gender, sexuality and desire. Viewing romance in the context of queer theory and AIDS, and challenging many popular psychoanalytic concepts such as ‘abjection’, the collection also makes a significant contribution to feminist and gay/lesbian discussions on the politics of romantic love.'Love is eternal, or so they say. This collection of fifteen original essays explores changing representations of romance in contemporary fiction, with particular attention paid to those texts which appear to challenge or subvert the institutionalized ideology of love: white boy meets and marries white girl, and they live happily ever after...the diverse mix of literary, film and occasional television texts offers some stimulating alternative approaches: feminist writing and criticism; postcolonial theory; queer theory; lesbian writing; and psychoanalytic structures of desire.' Kathrina Glitre, University of Reading for Scope: An Online Journal of Film Studies
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei