Beginning with the Nickelodeons and penny arcades in the 1890s, the American movie theater evolved as films did, in sophistication and mass appeal, reaching new heights in architecture, décor and glamour by the 1920s and 30s. This book is the story of the American Movie Palace and how the emergence of great films and cinema stars and the experience of movie-going itself led to the wildly imaginative fantasy styles recalling Egyptian temples, Chinese pagodas and Italian villages. The book identifies the main styles of decoration and gives fascinating detail on the brilliant and daring architects and designers who built them. In an era when film exposed millions of Americans, for the first time, to a vast fantasy land of new and heightened emotions brought on by thrilling action and adventure and romance beyond their wildest dreams, movie theaters of the Golden Age of film were, indeed, awe-inspiring palaces which set the stage and were a perfect reflection for something very special that was about to happen on screen.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...