A key decade in world cinema, the 1960s was also a crucial era of change in Spain. A Cinema of Contradiction, the first book to focus in depth on this period in Spain, analyses six films that reflect and interpret these transformations. The coexistence of traditional and modern values and the timid acceptance of limited change by Franco's authoritarian regime are symptoms of the uneven modernity that characterises the period. Contradiction--the unavoidable effect of that unevenness--is the conceptual terrain explored by these six filmmakers. One of the most significant movements of Spanish film history, the 'New Spanish Cinema' art films explore contradictions in their subject matter, yet are themselves the contradictory products of the state's protection and promotion of films that were ideologically opposed to it. A Cinema of Contradiction argues for a new reading of the movement as a compromised yet nonetheless effective cinema of critique. It also demonstrates the possible contestatory value of popular films of the era, suggesting that they may similarly explore contradictions. This book therefore reveals the overlaps between art and popular film in the period, and argues that we should see these as complementary rather than opposing areas of cinematic activity in Spain.
A study of Spanish cinema of the 1960s, this book includes case studies of six key films and offers a detailed analysis of one of the key artistic movements of the Franco dictatorship in Spain, the 'Nuevo Cine Espanol' (New Spanish Cinema).
Ideal for students and researchers in this area, this book: Remaps ‘Popular’ and ‘arthouse’ approaches Explores British, Chinese, French, Indian, Mexican, Spanish ‘national’ cinemas alongside Continental, Hollywood, Queer, ...
- Considers the transnationality of Spanish cinema throughout its century of existence. - Contemporary directors covered in this book include Almodóvar, Bollaín, Díaz Yanes and more.
Into the Vortex challenges and rethinks feminist film theory's brilliant but often pessimistic reflections on the workings of sound and voice in film.
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies.
Bibliography Books > > Abel , Richard , French Film Theory and Criticism , vol.1 : 1907–1929 ( Princeton : Princeton University Press , 1988 ) French Film Theory and Criticism , vol.2 : 1929–1939 ( Princeton : Princeton University Press ...
... 132, 157 Steiger, Rod, 148 Sternberg,Josef von,30, 95–96, 194n still life painting, 25–26 Stone, Oliver, 175 Storaro, Vittorio, 99 the street (affective circle), 18, 32–34, 69,80, 89, 101, 153 Streisand, Barbra,29 Stringer, Michael, ...
Studies the force of action, motion, and vision in the early cinema of Hollywood director Raoul Walsh.
... contend that it is " a spectacle of surveillance that displays a range of cultural performances — all of which articulate visions of order by representing legitimate authority , reproducing commonsense , and visualizing deviance .
In Cutting Edge, Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal horror's subversiveness as a genre.