In the first full-length literary-historical study of its subject, Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period. In detailed studies of literary works he goes on to show how the topic is central to an understanding of British and Irish Romantic literature. While he considers the influence of Milton and the 'Ossian' poems, as well as of philosophers, including Locke, Diderot, Berkeley and Thomas Reid, much of the book is taken up with new readings of writers of the period. These include canonical authors such as Blake, Wordsworth, Scott, Byron, Keats and Percy and Mary Shelley, as well as less well-known writers such as Charlotte Brooke and Ann Batten Cristall. There is also a chapter on the popular genre of improving tales for children by writers such as Barbara Hofland and Mary Sherwood. Larrissy finds that, despite the nostalgia for a bardic age of inward vision, the chief emphasis in the period is on the compensations of enhanced sensitivity to music and words. This compensation becomes associated with the loss and gain involved in the modernity of a post-bardic age. Representations of blindness and the blind are found to elucidate a tension at the heart of the Romantic period, between the desire for immediacy of vision on the one hand and, on the other, the historical self-consciousness which always attends it.
Wordsworth's Historical Imagination: The Poetry of Displacement. ... Smith, Angela M. Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema. ... The Wordsworth–Coleridge Circle and the Aesthetics of Disability.
In addition, Young measured the edge of the “blind spot” in the eye (that is, the location of the optic nerve), ... A renewed interest in color blindness and color vision at the end of the eighteenth century dovetails with this ...
Composed in Total Blindness (London: James Martin, 1856) Wilson, James, Autobiography of the Blind James Wilson, Author of The Lives of Useful Blind; with a Preliminary Essay On his Life, Character, and Writings, As Well as on the ...
Helen Lovatt Apollonius Rhodius Argonautica 4 and the epic gaze: There and back again The visuality of Apollonius Argonautica is complex and fascinating, and important for understanding that of later Greek and Roman epic.1 The ...
... 214 pseudonym of Thomas Moore, 372 Brown, William The Spirit of the Times, 448 Brummell, George Bryan 'Beau', ... 206 Brunonian medicine, 39 Brunswick, Charles William Ferdinand, Duke of, 298 Brunswick, Frederick William, Duke of, ...
See John Barrell, The Dark Side of the Landscape: The Rural Poor in English Painting, 1730–1840 (Cambridge: Cambridge University Press, 1980). 23. See John Barrell, The Idea of Landscape and the Sense of Place, 1730–1840: An Approach to ...
The Blind and Blindness in Literature of the Romantic Period. Edinburgh: Edinburgh University Press, 2007. Print. Lawrence, D.H. “The Blind Man.” England, My England and Other Stories. Ed. Steele, Bruce. Cambridge: Cambridge University ...
Jeffrey Baker, 'The Deaf Man and the Blind Man', Critical Survey, 8:3 (1996), 259–69. 2. Edward Larrissy, 'Wordsworth's Transitions', in The Blind and Blindness in Literature of the Romantic Period (Edinburgh: Edinburgh University Press ...
This book investigates the presence of disability in British Romantic literature, as subject matter, as metaphorical theme, and as lived experience.
China and Maritime Europe, 1500–1800: Trade, Settlement, Diplomacy, and Missions (Cambridge: Cambridge University Press, 2011), pp. 183–254. Fang, Karen, Romantic Writing and the Empire of Signs: Periodical Culture and Post-Napoleonic ...