This interdisciplinary study explores both the personal and political significance of climate in the Victorian imagination. It analyses foreboding imagery of miasma, sludge and rot across non-fictional and fictional travel narratives, speeches, private journals and medical advice tracts. Well-known authors such as Joseph Conrad are placed in dialogue with minority writers such as Mary Seacole and Africanus Horton in order to understand their different approaches to representing white illness abroad. The project also considers postcolonial texts such as Wilson Harris's Palace of the Peacock to demonstrate that authors continue to 'write back' to the legacy of colonialism by using images of illness from climate.
See also Jessica Howell's Exploring Victorian Travel Literature: Disease, Race and Climate (Edinburgh: Edinburgh University Press, 2014). Henry M. Stanley, How I Found Livingstone: Travels, Adventures and Discoveries in Central Africa ...
Laura Chrisman, Rereading the Imperial Romance: British Imperialism and South African Resistance in Haggard, Schreiner, and Plaatje (Oxford: Clarendon Press, 2000), 25–6. Anonymous, “Modern Marvels,” The Spectator 58 (1885), 1365–6.
Barbara Brothers and Julia Gergits (Detroit: Bruccoli Clark Layman, 1997), 97. 2 Catherine Barnes Stevenson, Victorian Women Travel Writers in Africa, Twayne's English Authors Series, ed. Herbert Sussman (Boston: Twayne Publishers, ...
VI: India: The Launching of the Hastings Impeachment 1786–1788, ed. P. J. Marshall (Oxford: Clarendon Press, 1991). Burke, Edmund, The Writings and Speeches of Edmund Burke, Vol. V: India: Madras and Bengal 1774–1785, ed.
Problem Novels: Victorian Fiction Theorizes the Sensational Self. Ohio State UP, 2007. Jordan, Jane, and Andrew King, editors. Ouida and Victorian Popular Culture. Ashgate, 2013. King, Andrew. “Impure Researches, or Literature, ...
Micklewright, Nancy, A Victorian Traveller in the Middle East: The Photography and Travel Writing of Annie, Lady Brassey (Aldershot: Ashgate, 2003). Mills, Sara, Discourses and Difference: An Analysis of Women's Travel Writing and ...
93 94 95 96 97 98 99 100 101 102 103 104 106 107 108 109 111 For more on female agency in Lyndall's deathbed scene, see Patricia Murphy's Time is of the Essence: Temporality, Gender, and the New Woman (New York, NY: SUNY Press, 2001), ...
... 1964); John Bierman, Dark Safari: The Life Behind the Legend of Henry Morton Stanley (London: Hodder and Stoughton, 1991); Fawn M. Brodie, The Devil Drives: A Life of Sir Richard Burton (New York: Norton, 1967); Richard Hall, ...
Cantor, Geoffrey, Gowan Dawson, Graeme Gooday, Richard Noakes, Sally Shuttleworth and Jonathan R. Topham (eds), Science in the NineteenthCentury Periodical: Reading the Magazine of Nature (Cambridge: Cambridge University Press, 2004).
Warwick, Alexandra (2007), 'Blood and Ink: Narrating the Whitechapel Murders', in Alexandra Warwick and Martin Willis (eds), Jack the Ripper: Media, Culture, History, Manchester: Manchester University Press, pp. 71–87.