Modern version side-by-side with full original text.
This study is a major exercise in the historicisation of Othello in which the author examines contemporary writings and demonstrates how they were embedded in the text of Othello: discourse about conflict between Turk and Venetian treatises ...
You gotta pity the fool who gets shafted by the green eyed monster. Let's hope Othello can work out who to trust before it's too late.
–BRUCE R. SMITH, UNIVERSITY OF SOUTHERN CALIFORNIA lthough other Shakespeare plays offer higher body counts, more gore, and more plentiful scenes of heartbreak, Othello packs an unusually powerful affective punch, stunning us with its ...
With a foreword by the renowned critic Fred Moten, this edition is the first of its kind and puts Othello’s blackness and interiority front and center, forcing us to confront the complex world that ultimately dooms him.
Instead he riveted viewers' attention by means of the psychological intensity that informed the minutest details of his meticulously observed performance: his hoarding of '[a] little 1 Michael Billington, Guardian, 11 May 1984; ...
Enter RODERIGO and IAGORODERIGOTush! never tell me; I take it much unkindly That thou, Iago, who hast had my purse As if the strings were thine, shouldst know of this.IAGO'Sblood, but you will not hear me: If ever I did dream of such a ...
A prose retelling of Shakespeare's play in which a jealous general is duped into thinking that his wife has been unfaithful, with tragic consequences. Includes background information, character summary, and commonly asked questions.
Her words simultaneously suggest a military action—complete with violence, storming, and trumpeting—and unruly Nature herself: “That I did love the Moor to live with him, / My downright violence and storm of fortunes / May trumpet to ...
In the board game 'Othello', players must turn double-sided counters to their advantage.
If anything, Othello has increased its stature as one of Shakespeare's greatest tragedies ever since it was first written, between 1603 and 1604, due to the victimisation suffered by its tragic hero, Othello, as a result of his skin colour.