Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'female-centred' bands from the UK and US performing so called 'indie rock' from the 1990s to the present day. Using original interview material with both amateur and internationally renowned musicians, the book further addresses the fact that the voices of musicians have often been absent from music industry studies. Leonard's central aim is to progress from feminist scholarship that has documented and explored the experience of female musicians, to presenting an analytic discussion of gender and the music industry. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international festivals it inspired under the name of Ladyfest.
This volume presents research that uses an industry-based approach to examine why this gender imbalance has proven so hard to shift, and explores strategies that are being adopted to try and bring about meaningful change in terms of women ...
Greenberg, B. S., Mastro, D., and Brand,]. E. (2002) “Minorities and the Mass Media: Television into the 21st Century,'' in Bryant and D. Zillmann (eds) Media Efiiects: Advances in Theory ana'Research (pp333—351), New York: Routledge.
She has two or three CDs that sell well in maj or—label terms,which is at least “Gold” or 500,000 units per release. ... Britney Spears, Shania Twain) got there on the strength of three to five mega—selling full—length CDs (RIAA, 2012).
The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production.
This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges ...
From Janis Joplin to P.J. Harvey, Women and Popular Music explores the changing role of women musicians and the ways in which their songs resonate in popular culture.
McRobbie's reference to ambivalence resonates with Hesmondhalgh and Baker's (2011: 19) finding that “worker experiences of creative labour are highly ambivalent”. While McRobbie's and Hesmondhalgh and Baker's work are embedded in ...
The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production.
Hann, C. (2019) Repatriating Polanyi: Market Society in the Visegrád States. Budapest, New York: CEU Press. Haynes, J. (2013) Music, Difference, and the Residue of Race. New York, Routledge. doi: 10.4324/9780203084489.
See Allen, Quinn, Hollingworth and Rose, 'Becoming Employable Students and 'Ideal' Creative Workers'; Bridget Conor, Screenwriting: Creative Labour and Professional Practice (London: Routledge, 2014); Rosalind Gill, ...