"Cairo of the Mamluks was "a city beyond imagination", wrote the Arab philosopher Ibn Khaldun. The Mamluk sultans originated as a slave-based caste who took advantage of the mid-13th century power vacuum to establish themselves as rulers. They designed their capital to be the heart of the Muslim world. It became the focus of their enormous patronage of art and architecture, the stage for their ceremonial rituals, and a memorial to their achievements. This history of Mamluk architecture examines the monuments of the Mamluks in their social, political and urban context during the period of their rule between 1250-1517. The book displays the multiple facets of Mamluk patronage, and also provides a succint discussion of sixty monuments built in Cairo by the Mamluk sultans. This is a richly illustrated volume with colour photographs, plans and isometric drawings. It will form an essential reference work for scholars and students of the art and architecture of the Islamic world as well as art historians and historians of late medieval Islamic history."--Bloomsbury Publishing.
95, the Sharaf al-Abwani goblet in the Egyptian Embassy in Washington D.C. Michael D. Danti, The Ilkhanid Heartland: Hasanlu Tepe (Iran) Period I, Hasanlu Excavation Reports vol. 2, general ed. Robert H. Dyson, Jr. (Philadelphia, 2004), ...
This thematic travel guide explores the intellectual, scientific and cultural heritage seen in Mamluk architecture and decorative arts through eight suggested travel itineraries. Seven of these are one-day trips, one...
Power and Patronage on Display: Mamluk Art in the New Galleries at the Metropolitan Museum