This book draws on twenty-four academic disciplines to provide a critical analysis of some 100 theories that explain the origins, nature, and management of human conflict. The book treats intellectual, individual, moral, interpersonal, organizational, community, political, and international conflicts. It suggests six criteria for distinguishing good from bad theory and discusses how existing theories may be used and improved.
When we go to war, morality, religion and ideology often take the blame. But Mike Martin boldly argues that the opposite is true: rather than driving violence, these things help to reduce it.
Josh Rosenblatt was thirty-three years old when he first realized he wanted to fight.
To remind us of what the will to win looks like, Dr. Gorka intersperses the stories of four American heroes—Stephen Decatur, Chesty Puller, “Red” McDaniel, and a warrior who never took up arms, Whittaker Chambers—men who believed in ...
In Constant Battles: The Myth of the Peaceful, Noble Savage, LeBlanc contends that warfare and violent conflict have existed throughout human history, and that humans have never lived in ecological balance with nature.
Why We Fought is a timely and provocative analysis that examines why Americans really chose to sacrifice and commit themselves to World War II. Unlike other depictions of the patriotic “greatest generation,” Westbrook argues that, ...
According to yoga, stopping the cycle of war requires delving into the subtle causes underlying material desires and religious differences. These are selfishness, ego, greed, ethnocentrism, and sense of inferiority.
For decades, the Canadian Armed Forces has used the work of foreign scholars and writers in its professional military education to try to understand the human dimension of warfare: why and how people are motivated to fight, and how they ...
This edition of Why We Fight contains the complete text of the original French edition, as well as additional material that was added for the German edition.
A study of Congress at the crossroads between the New Deal and the postwar era, showing that the wartime political dynamic established the dominant patterns for national politics through the remainder of the century.
See U.S. Civil War film genre Clansman, The (Dixon) Clark, Bennett Champ Clark, Dane Clark, D. Worth Clay, Lucius D. Cleopatra (1963) Clift, Montgomery; The Big Lift Clinton, Bill: foreign policy of; and international crises; ...