Considered a premier assemblage artist, Betye Saar has been creating inspired pieces since the early 1960s. Her works are in the collections of notable museums like Corcoran Gallery of Art, Washington, D.C.; Metropolitan Museum of Art and the Whitney Museum of American Art, New York City; Museum of Fine Art, Boston; The Studio Museum in Harlem; and San Francisco Museum of Modern Art. She has taught at the University of California and at the Parsons-Otis Institute, both in Los Angeles, and has participated in numerous solo and group exhibitions. Betye Saar is a comprehensive look at Saar's works, from the 1960 print Samsara to the powerful mixed-media assemblage Blackbird (2002), and a dynamic career.
"These works are what I leave behind."
Betye Saar, born in Los Angeles in 1926, emerged in the 1960s as a powerful figure in the redefinition of African American art. Over the past forty years, she has...
An investigation into Saar's lifelong interest in Black dolls, with new watercolors, historic assemblages, sketchbooks and a selection of Black dolls from the artist's collection This volume features new watercolor works on paper and ...
This book and its accompanying exhibition highlight their position at the crossroads of artistic, feminist, and African American cultural legacies.
A Secretary to the Spirits
Betye Saar: Personal Icons
Betye Saar: In Service : a Version of Survival
This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.
Betye Saar: Resurrection : Site Installations, 1977 to 1987 : [exhibition] February 6-March 6, 1988, Main Art Gallery, Visual Arts...
In the period of radical change that was 1963-1983, young black artists at the beginning of their careers in the USA confronted key questions and pressures.