The Hugo Award-nominated novel by "a hard science fiction writer through and through and one of the very best alive." --The Globe and Mail Two months have past since a myriad of alien objects clenched about the Earth, screaming as they burned. The heavens have been silent since--until a derelict space probe hears whispers from a distant comet. Something talks out there: but not to us. Who should we send to meet the alien, when the alien doesn't want to meet? Send a linguist with multiple-personality disorder and a biologist so spliced with machinery that he can't feel his own flesh. Send a pacifist warrior and a vampire recalled from the grave by the voodoo of paleogenetics. Send a man with half his mind gone since childhood. Send them to the edge of the solar system, praying you can trust such freaks and monsters with the fate of a world. You fear they may be more alien than the thing they've been sent to find--but you'd give anything for that to be true, if you knew what was waiting for them. . . .
Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell.
Robin Cook is back—with a shocking story of medical conspiracy.
8 See in particular Russell ( 1910-1911 ) , although the distinction emerges earlier in Russell's work . Tacit knowledge , of which blindsight is an example par excellence , seems anathema to the view that knowledge either is or ...
What is she hiding from her nephew? How has Gordon ended up in this state? And what does Alice have to do with it? Blindsight shows Gee the master playing with characters and complex story structures with immense skill.
A blind child and a Catholic nun disappear from a city sidewalk in plain sight of onlookers.
After an unexplained moment of surveillance by an alien intelligence no further contact has been made for twenty-five years. But all this is about to change.
Follows the experiences of a prospective college student who visits Los Angeles to meet the actor father he never knew, an encounter that introduces him to the gritty realities of show business and leads to a shattering revelation.
"This is one reason," explains Waldrop, "for using collage: joining my fragments to other people's fragments in a dialogue, a net relation that might catch a bit more of the 'world.
With a theme reminiscent of Coma, here is Robin Cook at his disturbing, electrifying best.
Both blind, Josette and Robert live together in the Institute - a home and school for the blind. One morning, Josette is called into the director's office where she is...