Includes: Daddy Won't You Please Come Home * Dixie Moon * Gee * I Wish I Had Someone to Rock Me in the Cradle of Love * Memories of You * Shuffle Along.
The 50-acre park did not charge an admission fee, advertising that the nickel street car fare was all that was required to attend. In 1915, the Park was totally refurbished, including the installation of a Ferris wheel that was ...
A piano rollography is featured in a biographical tribute to a legendary figure in American music who has played a central role in the current jazz and ragtime revival
Footnotes is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched ...
Jennings. Listen. Dead people never stop talking. Maybe because death is not death at all, just a detention after school. You know where you're coming from and you're always returning from it. You know where you're going though you ...
It was issued early in 1896 by Broder & Schlam, a San Francisco firm with offices in New York. ... An 1896 song—written by Williams alone—was published by S. Brainard and Sons as “Oh, I Don't Know, I Thought I Was a Winner.
This book captures all the optimism and vibrancy of early twentieth-century black performers and musicians.
The two men and a third, Herbert Elwell, took organ lessons and attended her classes. Boulanger was thirty-three and had been earning her living teaching harmony and counterpoint since she was seventeen. Fifteen years earlier, before ...
... beginning with Henry Lange's “I Gave My Heart to Someone in Dixieland” (released 1916), evoked the mythic South, while his recording of Oscar Gardner's “Chinese Blues” (also re- leased 1916) initiated not only a number of blues ...
"Often overlooked in (favor) of his brother George, this brilliant, erudite poet also collaborated in his long life with Kurt Weill, Jerome Kern, (and) Aaron Copland, to name a few.
In This Is Ragtime , Terry Waldo, musician and scholar, explores ragtime in detail, offering music lovers and social historians a unique view of the music from its inception through its colorful evolution.