This study is a chronology of the life of the mulatto violin prodigy, George Bridgetower from the late eighteenth century to the nineteenth century. This powerful biography brings to light for the first time the fascinating life of the violin prodigy George Augustus Polgreen Bridgetower, a virtuoso and composer of color in late eighteenth century Europe. This first major book on George Bridgetower is based on solid, scholarly research and documentation. The brilliant life of this violin virtuoso is presented in clear, articulate language. The documented biography leads the astonished reader through Bridgetower's life, (previously unknown to present-day readers), from child prodigy to adult virtuoso performing in the Royal Courts of Europe. Importantly, the biography also presents Bridgetower's ancestral heritage - African and Caribbean - with documentation from sociologists, historians and musicologists. The chronology of Bridgetower's life (1778-1860) unfolds with careful attention to detail and as in-depth as possible based on the material researched to the present by the author, Dr. Clifford Panton. This major original work places Dr. Bridge tower and opens the door for further Bridgetower research. This biography is divided into nine chapters, with an Introduction, Table of Contents, List of Figures, Appendix, Bibliography, and Index. The list of figures contains eight art masterpiece reproductions (present unavailable to this reviewer) dating from 1405 (DeBellifortis), including Van Dyck (1623) among others, and up to George Alexander Gratton. The first chapter states that George Bridgetower was born in Baila, Poland, on October 11, 1778, and died in Peckham, Surrey, England, on February 29, 1860. His mother was Polish and his father, John Augustus Frederick Bridgetower, was an Abyssinian from the West Indies. The chapter cites documentation, dates and important information from historians regarding the history of the slave trade, John Augustus Bridgetower's probable escape from Barbados and his arrival in Europe, possibly in the 1770s, is presented. By 1780,
The Woman Without a Shadow
As noted by Mary Hunter, in “Haydn's London Piano Trios and His Salomon String Quartets: Private vs. Public?” (in Haydn and His World, ed. Elaine Sisman [Princeton, NJ: Princeton University Press, 1997]), “it is a truism of the Haydn ...
Bauman , Janina . “ Demons of Other People's Fear : The Plight of the Gypsies . ” Pp . 81-94 in Stranger or Guest ? Racism and Nationalism in Contemporary Europe , edited by Sandro Fridlizius and Abby Peterson .
Bauman . Janina . " Demons of Other People's Fear : The Plight of the Gypsies . " Pp . 81-94 in Stranger or Guest ? Racism and Nationalism in Contemporary Europe , edited by Sandra Fridlizius and Abby Peterson .
In looking at the works of Aime' Césaire and Frantz Fanon, Tom Nairn and Raymond Williams, Stuart Hall and Terry Eagleton, Gikandi was surprised to see that narratives about England's shaping of colonial identities were not paired with ...
Winner of the National Book Award and the Pulitzer Prize: "[A] commanding and important book." —Jill Lepore, The New Yorker This epic work—named a best book of the year by the Washington Post, Time, the Los Angeles Times, Amazon, the ...
... and Bushiri” (44), “Arabs and Askari” (208) and “Hanging Bushiri” (207) as a boy, rather than “Cowboys and Indians” 107 The name appears to be a pun on Heinrich Barth's Arab pseudonym on his expeditions into Sudan and to Timbuktu.
Further Reading: Peabody, Sue, and Keila Grinberg, eds. Slavery, Freedom and the Law in the Atlantic World: A Brief History with Documents. Boston: Bedford/St. Martin's, 2007. Sue Peabody ...
Clifford D. Panton Jr., George Augustus Polgreen Bridgetower, Violin Virtuoso and Composer of Color in Late Eighteenth-Century Europe (Lewiston: Mellen Press, 2005); Josephine Wright, “George Polgreen Bridgetower: An African Prodigy in ...
This book provides an extensive resource on the life and works of Warren Benson. His music is created out of such depth of experience that one can only understand and...