Roy Porter compares children with the ' mad ' as they ' highlight the hypocrisies , double standards and sheer callous obliviousness of sane society'.22 It has been asserted that children have become 23 more savage ' .
He shows why philosophers have previously resisted and/or misunderstood mass art and he developsframeworks for understanding the relation of mass art to the emotions, morality, and ideology discussing the accounts of such theorists in the ...
This work aims to introduce readers to the techniques of analytic philosophy in addition to a selection of the major topics in this field of inquiry.
In this book they will find his major themes not only analyzed in depth but also discussions of his political significance, views on history, cinema and more"--
But I do believe I am writing in the spirit of Bradley and I share his conclusion that a special feature of poetry is the unity of form and content. Bradley's whole discussion of poetry is focused on the idea ...
A Philosophy of Art and Popular Culture Mario Slugan. ——— 'The ontology of mass art', The Journal of Aesthetics and Art Criticism 55.2 (1997), pp. 187–199. ——— 'Entr'acte, Paris and Dada', in Interpreting the Moving Image (New York, ...
(This is Jerrold Levinson's and Stephen Davies's view, for example.) But sonicists would say that the answer is one, since the Hammerklavier and the PTS Klavier are soundalikes. Instrumentalists argue that the Hammerklavier and the PTS ...
Artworld Metaphysics turns a critical eye upon aspects of the artworld, and articulates some of the problems, principles, and norms implicit in the actual practices of artistic creation, interpretation, evaluation, and commodification.
While he certainly did write the song as an expression of his own personal reflections on rock ' n ' roll music in the ... McLean presents himself as the embodiment and spokesperson of his generation's social and cultural experience .
... art hermetically from the surrounding bourgeois and mass cultures by declaring art to be autonomous,”28 separating high art by fiat from commerce, entertainment, and kitsch. Against these developments, Carroll is himself concerned to ...