Roy Porter compares children with the ' mad ' as they ' highlight the hypocrisies , double standards and sheer callous obliviousness of sane society'.22 It has been asserted that children have become 23 more savage ' .
The Metaphysics of Mass Art: "Madness" and the "savage"
See Elaine Showalter, A Literature of Their Own: British Women Novelists from Bronte to Lessing (Princeton: Princeton University Press, 1977) and Sandra M. Gilbert and Susan Gubar, Madwoman in the Attic: The Woman Writer and the ...
Protest Media and Popular Culture in the Brexit-Trump Era ... Maggie O'Neil and Lizzie Seal, Transgressive Imaginations: Crime, Deviance and Culture (New York: Palgrave ... Jason Lee, The Metaphysics of Mass Art: Cultural Ontology, ...
Therapy culture: Cultivating vulnerability in an uncertain age. Routledge. ... Metaphysics of mass art – cultural ontology, Volume two: Indigenous peoples of the Americas and the psychology of the observer in U.S. film. Mellen Press.
Religious Art in the Nineteenth Century in Europe and America
Professor Lee is the author of more than one hundred books, chapters, and articles, including the books Celebrity, Pedophilia, andIdeology in American Culture; Pervasive Perversions; Cultural Ontology; and The Metaphysics of MassArt.
This study examines the theme of vocation in the writing of three poets who were also priests: George Herbert, Gerard Manley Hopkins, and R.S. Thomas. Although their work spans four...
Reflecting his commitment to liturgy , his improvisation was often based on Gregorian chant seen by him as a bridge between organ and liturgy . This plainchant foundation was present equally in Tournemire's output of written ...
An examination of the novels of Jose Luis Castillo-Puche that specifically deal with the religious ideal and his experience of the religious seminary. The study of the novels of the...
A Philosophy of Art and Popular Culture Mario Slugan. ——— 'The ontology of mass art', The Journal of Aesthetics and Art Criticism 55.2 (1997), pp. 187–199. ——— 'Entr'acte, Paris and Dada', in Interpreting the Moving Image (New York, ...