Despite its intuitive interface, Final Cut Pro still requires craft and skill to use well. This full-color book provides a hands-on, practical guide to all aspects of editing digital movies, with an emphasis on the kinds of tips, tricks, and shortcuts that professionals rely on to quickly get polished results. Whether you're approaching Final Cut Pro from a purely creative angle or from a more corporate perspective, whether you're an emerging filmmaker or a seasoned vet, Final Cut Pro 3 and the Art of Filmmaking gives you the insights, information, and lessons you'll need to complete tasks that film editors face every day, including: * Mastering Final Cut Pro 3's new features, such as Voice Over, G4 Real-Time Effects, Titling, QuickView, and more * Editing clips in the Timeline * Creating transitions and complex overlays * Adding effects, applying filters, and working with text * Using the audio tools to make your film sound as good as it looks * Readying your finished product for delivery--on the Internet, on videotape, or on DVD In the course of this book, you'll learn shooting tips designed to help later in the edit room. You'll also hear from experienced editors on how they're using Final Cut Pro to capture the immediacy that digital video makes possible, while meeting the twin challenges of limited time and money. Note: Our thanks to Ken Stone for his Final Cut Pro expertise. Ken has an excellent online resource center that we encourage you to visit: www.kenstone.net/fcp_homepage/fcp_homepage_index.html
Centered upon a sample video documentary project, this book thoroughly leads you through each step of the way, including: Organizing your project using the Timeline Editing with multiple tracks Trimming clips: ripple, roll, slip, and slide ...
To edit or delete a marker in the Timeline, place the playhead on the marker (the marker's name should appear in the Canvas) and do one of the following: Modifyr Sequence Effects Tools Wir Mark In I Mark Out 0 Mark Split Mark Clip x ...
Final Cut Pro 3 Editing Workshop" complements Apple's documentation with a series of tutorials that teach readers the art and technique of editing with Final Cut Pro by working through 13 lessons.
says Anthony. “I feel sick I have to go home”—only halfjoking. This is where the S hits the F. Hard slog through reel one with only two hours sleep ... Anthony asks. “Just play a little bit.” Which co-mixer Michael Prestwood-Smith does.
Get in, Get out, Get Exactly What You Need Jason Cranford Teague. 6.11 Adding File Information and Watermarks (Continued) File Info 0 Choose an information _ Sectionfic'égm'l' * q panel: General (shown), _ _ MOTH; “an ' l Keywords, ...
Crane Shot A crane shot moves freely in three-dimensional space, and since it can make the viewer feel as if she's flying, it's quite exhilarating (Figure 2.14). Modern dollies usually have an arm (called ajib) that facilitates some ...
A Little History on the Art of Filmmaking In the old days — about ... If you wanted to take out the 50th shot , you just physically cut it out ... For years , this is how film editors worked . xxvi Jerry Hofmann on Final Cut Pro 4.
Every page of this critically acclaimed guide is focused on giving you immediate access to the information you need to get your work done.
The Perfect Companion for Your Digital Video Camera Digital video brings the power of studio production to the personal computer. With just a video camera, a computer, and the proper...
... PowerPoint presentations into iMovie form CD included SYBEX 272 pages VHEF NUNDER WHEET Final Cut Pro 3 AND THE ART OF FILMMAKING Jason Cranford Teague and David Yeague Also Covers Version 2 Final Cut Pro and the Art of Filmmaking ...