In 1949 the first made-for-television cartoon series debuted on a major network. Tele-Comics embraced the popular cliffhanger serial genre, using nonmoving comic strip panels and a handful of radio actors to produce a show at a fraction of the cost accrued by a live show. Despite the success of Tele-Comics and a few other such shows, television cartoons languished until 1954 when Walt Disney produced Disneyland. From such pioneers as Tele-Comics and Crusader Rabbit to modern fare such as X-Men and Beavis and Butthead, this is the first reference book to detail animated cartoons made exclusively for television from 1949 through 1993. Each entry includes the shows title, network, studios and full production information when available. An essay blending plot description, critical commentary, and background information is also provided for each cartoon. A discussion of the voice artist concludes the work.
A very early example of this is the US single play ' The Hospital where a disturbed porter disrupts the power supply to the hospital . It was a CBS / Studio One production broadcast Doctor : Television , Storytelling and Medical Power ( ...
It gives readers a real insight into this work through its outstanding range of images.
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
出乎意料又在情理之中的身份在布兰纽准将向赤犬报告罗与多弗拉明戈的变故后,赤犬曾经提及斯摩格在给他的报告里啰啰嗦嗦地说了一大堆,并且已经派“藤虎”过去了。 ... 并且,他离去的时候曾经递给店家一张纸条,让对方去这里报销修理费用。
With his career on the wane, Reeves and his wife Ellanora divorced; she soon married a prosperous attorney named Edward Rose. ... After all I'm 5 feet 4 inches tall and I finally convinced him I could stretch a point with high heels.
Scopo di questo lavoro è mettere in risalto uno degli aspetti meno conosciuti della complessa personalità del "re di cartoonia", la sua ideologia politica, anche attraverso l'analisi di alcuni film...
Whether you’re seeking movie gifts or something for the history buffs in your life, this comprehensive guide to animation and cartoons has it all. In this one-of-a-kind definitive history of...
妖怪文化并不是恐怖的文化,也不是猎奇的文化。之所以说妖怪文化到现在仍然有价值,决不是因为被它的光怪陆离照花了眼,而是透过荒诞的表面,我们可以清晰地触摸到它包含在其中的严肃内核,撇去虚幻的浮沫,我们能够明白地看到它其中蕴涵的真切道理。日本的女妖敢爱敢恨,正是这强烈的情感使得女妖们血肉丰满,性情激烈,呼之欲出。因为“恨”,她们能不惜一切代价去报仇,去反抗。这些痴人,因为无法化解心中的纠结,又无法将生命瓦全于人世,终于在另一个世界中找到了一席之地,或痛快淋漓、或无可奈何地游荡于苍茫天地之间。周英编的《怪谈(日本动漫中的传统妖怪第2版)》图文并茂地介绍了日本动漫中的传统妖怪。
Studios. This is done through a chronology, an introductory essay, photos, a bibliography, and over 200 cross-referenced dictionary entries on animators, directors, studios, techniques, films, and some of the best-known characters.