According to legend, on December 8, 1531, the Virgin Mary appeared to the newly Christianized Juan Diego on the Mexican hill of Tepeyacac. As proof of her divine visit, she miraculously imprinted her image upon his mantle. That image, known as Our Lady of Guadalupe, has become a symbol of national consciousness in Mexico and a talisman for Mexican Americans. Yet its notable features include obviously European artistic techniques. How is it that Renaissance styles are employed in a 16th century Mexican icon supposedly not made by human hands? Looking beyond the divine explanation for the Lady's existence, author John Moffitt uses historical and artistic detective work to determine the work's earthly origin. Originally published in Spanish, this volume provides an in-depth study of Our Lady of Guadalupe. It places the work within the context of art history as well as local contemporary events. The mundane origin of the painting is fully traced and investigated as well as the proliferation of the legend which led to the eventual canonization of Juan Diego as the first native Mexican saint. Appendices provide crucial related Spanish-language texts by Miguel Sanchez (1648) and Luis Laso de la Vega (1649, originally published in Nahuatl). Numerous illustrations are included.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...