Literary use of the Gothic is marked by an anxious encounter with otherness, with the dark and mysterious unknown. From its earliest manifestations in the turbulent eighteenth century, this seemingly escapist mode has provided for authors a useful ground upon which to safely confront very real fears and horrors. The essays here examine texts in which Gothic fear is relocated onto the figure of the racial and social Other, the Other who replaces the supernatural ghost or grotesque monster as the code for mystery and danger, ultimately becoming as horrifying, threatening and unknowable as the typical Gothic manifestation. The range of essays reveals that writers from many canons and cultures are attracted to the Gothic as a ready medium for expression of racial and social anxieties. The essays are grouped into sections that focus on such topics as race, religion, class, and centers of power.
Also included are a scholarly introduction and annotations, as well as reproductions of engravings that accompanied the original publication of these tales.
De Manian deconstruction's Gothic reanimation of the machine as an autonomic nervous system can be set against the current techno-euphoria among posthumanists influenced by Deleuze and Guattari's theories of machinic assemblages.
NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY ...
... Centennial Lectures” Art Institute of Chicago Museum Studies 10 (1983): 252–75. See also Brown, Grant Wood and Marvin Cone, 67. 10. James M. Dennis, Grant Wood: A Study in American Art and Culture (New York: Viking, 1975), 242. 11.
In The Rise of the Gothic Novel, Maggie Kilgour argues that the ghost of the gothic is now resurrected in the critical methodologies which investigate it for the revelation of buried cultural secrets.
Starting with a re-examination of the role of the colonial/racial Other in mainstream Gothic (colonial) fiction, this book goes on to engage with the problem of narrating the 'subaltern' in the post-colonial context.
In The Witches of Kyiv and Other Gothic Tales by Orest Somov the supernatural is present throughout Ukraine, from a cemetery in Kyivan Rus, to an isolated forest cottage in the seventeenth century Kozak era, to the society ballrooms of ...
Burke's appeal to a romance tradition attempts to establish asense of continuous history and awake a series ofassociations that wrestwordslikefreedom, nation and order from the grasp of radicaltexts. It also imagines the dissolution of ...
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Some topics and literary figures discussed are: American Gothic, Ambrose Bierce, Charles Dickens, Gothic architecture, Nathaniel Hawthorne, Contemporary Gothic, Occultism, Robert Louis Stevenson, Witches and witchcraft, Spiritualism, Oscar ...