Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic work within the genre--yet the term "science fiction" had not been invented at the time of the film's release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied. Part One examines the meanings of genre and reveals how the media is involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre.
From the Cold War through to America's current War on Terror, science fiction has proved a subtle vehicle for the hopes, fears and preoccupations of a nation at war.The definitive introduction to American science fiction, this book is also ...
The broad selection of material in this volume displays the full range of contemporary genre studies and sets the ground for a next generation of work.
length – are referred to as crane shots. While horizontal and vertical camera motions are typically kept separate in shot design, they may sometimes be combined to striking effect. Here a bravura example is the three-minute opening shot ...
While we have a fairly large corpus of extant Old Norse praise-poetry, the entities we might refer to as poems are in ... of Icelandic Saga'; and Heather O'Donoghue, Skaldic Verse and the Poetics of Saga Narrative (Oxford, 2005), pp.
Taves, Brian. The Romance of Adventure: The Genre of Historical Adventure Movies. Jackson: University Press of Mississippi, 1993. Thomas, Tony. The Great Adventure Films. Secaucus, NJ: Citadel Press, 1976. Thorn, Roland. Samurai Films.
Earlier, however, in his 'outlaw' biopic, Superstar: The Karen Carpenter Story (1987), he 'cast' as Karen Carpenter, the pop singer who died from effects of anorexia nervosa, a Barbie doll, whose face he cut to simulate the appearance ...
Genre, Tradition and the Post-critical Interpretation of the Psalms Harry Peter Nasuti. Chapter 3 THE SHIFTING CENTER OF THE PSALMS : GENRE DEFINITION AND EVALUATION The previous chapter's argument concerning the constructive aspect of ...
Caine, A. (2004), Interpreting Rock Movies: The Pop Film and Its Critics in Britain, Manchester: Manchester University Press. Chaplin, S. (1964), “World of the Pops,” Guardian, 8 February: 14. Donnelly, K. J. (2001), Pop Music in ...
... genre, explicit labels on historical editions may also not be the norm. These are additional difficulties that ... definitions, and base the study of genre only on the shifting practices of particular historical actors – but still ...
Brooks, P. 1976/1995 The Melodramatic Imagination: Balzac, Henry James, Melodrama and the Mode of Excess, New Haven and London: Yale University Press. Cameron, D. 2000 Good to Talk? Living and Working in a Communication Culture, ...