While the Renaissance is generally perceived to be a secular movement, the majority of large artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioners view was directed by the diminishing parallel lines formed by the walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point.
Medieval Christian Themes in Writings on Art of the Italian Renaissance Steven F.H. Stowell ... Thomas of Celano, Second Life of St. Francis, in St. Francis of Assisi: Writings and Early Biographies: Omnibus of the Sources for the Life ...
... Painterly Perspective and Piety; Saint-Martin, Semiotics of Visual Language, 109–44; John White, The Birth and Rebirth of Pictorial Space, 192–7. Baxandall, Painting and Experience in Fifteenth-Century Italy, 124–7. “si vide à poco à ...
In Feeling Persecuted, Anthony Bale explores the medieval Christian attitude toward Jews, which included a pervasive fear of persecution and an imagined fear of violence enacted against Christians.
Each from A Book of Christian Prayers (London: R. Yardley and P. Short for the assignes of R. Day, 1590). Image sizes 7 × 2.2 (23⁄4 × 7⁄8) each, on page size 18 × 11.5 (7 × 41⁄2). After Maarten van Heemskerck.
... Painterly Perspective and Piety : Religious Uses of the Vanishing Point , from the Fifteenth to the Eighteenth Centuries ( Jefferson : McFarland , 2008 ) , 53–54 . John of Genoa is discussed and translated in Michael Baxandall , Painting ...
Olivia Holmes, Dante's Two Beloveds: Ethics and Erotics in the 'Divine Comedy' (New Haven, CT: Yale University Press, 2008); Pamela Williams, Through Human Love to God: Essays on Dante and Petrarch (Leicester, UK: Troubador Publishing, ...
... Painterly perspective and piety: religious uses of the vanishing point, from the 15th to the 18th century, McFarland: North Carolina, pp. 24–25, 2008. WIT Transactions on The Built Environment, Vol 159, © 2016 WIT Press This paper is ...
... Painterly Perspective and Piety Religious Uses of the Vanishing Point, from the 15th to the 18th Century (London: McFarland & Company, Inc. Publishers, 2014), 141, 209–10; Judith Sobre, Behind the Altar Table (Columbia: University of ...
Edwin A. Quain, in Disciplinary, Moral, and Ascetical Works (New York: Fathers of the Church, 1959), 223–67 (237). 70 Letters of St. Cyprian 1.2, 1.52. 71 The 17th synod at Toledo (694), canon 5, in Death and Resurrection 209.
... promised that maps could foster a new kind of knowledge about distant places. As later chapters will demonstrate, mapmakers promoted their works as an education in the world by showing viewers the contours of the earth.