The free-standing radios of the middle decades of the 20th century were invitingly rotund and proudly displayed--nothing like today's skinny televisions hidden inside "entertainment centers." Radios were the hub of the family's after-dinner activities, and children and adults gorged themselves on western-adventure series like "The Lone Ranger," police dramas such as "Calling All Cars," and the varied offerings of "The Cavalcade of America." Shows often aired two or three times a week, and many programs were broadcast for more than a decade, comprising hundreds of episodes. This book includes more than 300 program logs (many appearing in print for the first time) drawn from newspapers, script files in broadcast museums, records from NBC, ABC and CBS, and the personal records of series directors. Each entry contains a short broadcast history that includes directors, writers, and actors, and the broadcast dates and airtimes. A comprehensive index rounds out the work.
... 148 Lewis, C. S. 38—40, 44 listening 34, 63, 64,113—14, 122, 127—8,135, 149—50, 155 'live' radio drama 16—18, 70, 86, 182, 189—95 Louis, Toe 9—10 Lux Radio Theater 19 McCartney, Annie 112 McLoughlin, Shaun 105, 113, 114 McWhinnie, ...
For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical ...
... sing a worried song , It takes a worried man to sing a worried song , It takes a worried man to sing a worried song , I'm worried now , but I won't be worried long . LOMAX . It takes a worried man to sing a worried song , and that's the ...
Explores how radio dramas construct narrative through sound, music, language, and voice.
An essential guide for anyone who dreams of penning tomorrow's radio classics.
This volume concentrates upon a small but influential group of writers who have devoted all or part of their attention to writing plays for radio.
56 Littlewood and Shapley actually ended the feature with an expression of political emphasis by the 'Modern Speaker' ... 56 Rankin, Peter, Joan Littlewood: Dreams and Realities, The Official Biography (London: Oberon Books, 2014) p.
These ten scripts provide the raw material from which podcasters can craft their own drama productions. The works on which they are based are literary classics and are in the public domain.
The Radio Drama Handbook combines both theory and practice to lead, stepwise, to a full understanding of radio drama form.
This 'theatre of the absurd' triggered a renaissance of writing and production featuring the work of Giles Cooper, Rhys Adrian and Harold Pinter, as well as the launch of the BBC Radiophonic Workshop.