Although food has been part of motion pictures since the silent era, for the most part it has been treated with about as much respect as movie extras: it’s always been there on the screen but seldom noticed. For the most part filmmakers have settled on three basic ways to treat food: as a prop in which the food is usually obscured from sight or ignored by the actors; as a transition device to compress time and help advance the plot; as a symbol or metaphor, or in some other meaningful way, to make a dramatic point or to reveal an aspect of an actor’s character, mood or thought process. This hugely expanded and revised edition details 400 food scenes, in addition to the 400 films reviewed for the first edition, and an introduction tracing the technical, artistic and cultural forces that contributed to the emergence of food films as a new genre—originated by such films as Tampopo, Babette’s Feast and more recently by films like Mostly Martha, No Reservations and Ratatouille. A filmography is included as an appendix.
Although food has been part of motion pictures since the silent era, for the most part food has been treated with about as much respect as movie extras: It's always...
... Film Noir: The Encyclopedia. New York: Overlook Duckworth, 2010. Silver, Alain, and James Ursini, ed. Film Noir Reader. New York: Limelight, 1996 (Reprint 2005). Sobchack, Vivian. Screening Space: TheAmerican Science Fiction Film, 2d ed ...
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Using an interdisciplinary approach combining film, semiotics, social-anthropology and history, this book examines food sciences in selected films to reveal food's power to direct and impose values and beliefs, to understand how dining ...
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Food on Film: Hollywood and the Story of Meals in Movies
This entirely new edition covers the latest information on how to -- naturally fight fatigue and stress -- boost brain power and improve memory with food and the latest supplements -- fight depression with exercise and special dietary fats ...