British filmmaker Peter Greenaway says life offers only two subjects: “One is sex and the other is death.” Greenaway uses both and romanticizes neither; indeed, his goal is the antithesis of the sanitary and sentimental portrayal of humanity. Although his films have met with outrage from some viewers, cult audiences praise them for insightful messages: that people are detached from violence because they fail to see others’ bodies as identical to their own; that predatory capitalism has caused humans to lose sight of our shared physicality and mortality; and that taboos are simply a system allowing people to exercise power over others. This book examines nine of Greenaway’s feature films, dedicating a chapter to each: The Draughtsman’s Contract; A Zed and Two Noughts; The Belly of an Architect; Drowning by Numbers; The Cook, the Thief, His Wife and Her Lover; Prospero’s Books; The Baby of Mâcon; The Pillow Book; and 8 1⁄2 Women. The author examines the characters and plot, studies the structure and elements of the story, explores Greenaway’s motives and reactions, and reveals audience reactions, including comments from viewers. A filmography lists films written and directed by Peter Greenaway from 1962 to 2004.
London , Curwen Gallery . ( Solo exhibition . ) Munich , Dany Keller Galerie . Zeichnungen , Collagen , Video . Solo exhibition . No catalogue . 27 July - 4 August . Paris , The Louvre . Le Bruit des Nuages – Flying out of this World .
" "Presented in the same format as his personal journals, this book allows us a rare glimpse into the images and vision that give rise to Greenaway's films.
This collection of diverse essays, which includes two texts by Greenaway, two interviews with the director, and a revised filmography, will interest students, teachers, critics and lovers of both postmodern art and cinema.
The Pillow Book is director Peter Greenaway's celebration of the literary and calligraphic potential of cinema, and the eroticism of inscription.
33 Roland Barthes, 'Diderot,Brecht, Eisenstein',reproduced in TheResponsibility of Forms (Oxford, 1986),pp. 96–7. 34 See David K. van Keuren, 'Museums and Ideology: Augustus PittRivers, anthropological museums, andsocial changein ...
It makes it difficult to distinguish between watching Kramer vs Kramer and watching a documentary , in which there are genuine problems to do with voyeurism - the film - maker's , and the audience's - 160.
Lucca Mortis tells the story of an aging man living in Little Italy who feels compelled to reconnect with his roots and travels to Lucca, Italy, to do so.
Peter Greenaway Architecture and Allegory Bridget Elliott and Anthony Purdy A painter by training, Peter Greenaway is undoubtedly one of the most interesting and controversial of contemporary British film-makers. He...
This script by British director Peter Greenaway (born 1942) follows Russian director Eisenstein to Guanajuato, Mexico, in 1930, where he worked for ten days on a never-completed film called Que Viva Mexico.
This volume is no exception to that established tradition.