The life and work of motion picture director Robert Altman (1925–2006) are interpreted from a variety of perspectives in this collection of essays. Actors, historians, film scholars, and cultural theorists reflect on Altman and his five-decade career and discuss the significance of music, history and genre in his films. Two actors who have appeared in some of the filmmaker’s most important works are prominently represented, with a statement from Elliot Gould (MASH, The Long Goodbye, California Split) and an essay by Michael Murphy (McCabe and Mrs. Miller, Nashville, Tanner ’88). The collection ends with an essay on the importance of death in the director’s final productions The Company (2003) and Prairie Home Companion (2006) by noted Altman scholar Robert T. Self.
D , P- Robert Altman ; S- Joan Tewkesbury ; Ph — Paul Lohmann ; E — Sidney Levin , Dennis Hill ; M— Richard Baskin ; C— Lily ... John Considine , Bert Remsen , Frank Kaquitts , Robert Doqui , Pat McCormick , Denver Pyle , Allan Nicholls ...
A smitten Griffin Mill calls her a 'pragmatic anarchist'. ... The idea was not new – Altman had done the same in Nashville, with Julie Christie and Elliot Gould, and had blended a few real politicians and celebrities with his actors in ...
Robert Altman is the most quintessentially American of contemporary directors. His films cut across virtually all genres, and though few have met with huge commercial success (apart from the blockbuster...
The most prodigal, prolific, and visionary director to emerge from post-sixties Hollywood, Robert Altman is a man whose mystique sometimes threatens to overshadow his many critically acclaimed films (including MASH).
'Hearing in his own words in Altman on Altman just how much of his films occur spontaneously, as a result of last-minute decisions on set, is fascinating . . . For film lovers, this is just about indispensable.' Ben Sloan,Metro London
This book features 23 essays from a range of experts in the field, providing extensive coverage of these aspects and dimensions of Altman’s work.
The book provides a clear example of how a filmmaker might work collaboratively and pragmatically within and across media institutions to elaborate upon their sanctioned practices and aims.
It was Trudeau —whose comic strip often sports M*A*S*H-like absurdist humor— who suggested Altman. ... Bob Dole, Gary Hart, Pat Robertson, and Bruce Babbitt appeared on the show, becoming part of Altman's artifice.
The lucidity of the illusionist , the puppeteer , or the filmmaker does battle with the desire to create a believable and lifelike image ” ( Stam 138 ) . Reflexive storytellers simultaneously shatter illusion and comment on the reality ...
gilio R. Martinez would be found guilty of breaking into Democratic Headquarters along with Kissinger aide and finance counsel G. Gordon Liddy. ... [H. R.] Haldeman was indicted the day before we started the shooting. Earl Warren died.