Why are audiences drawn to horror films? Previous answers to that question have included everything from a need to experience fear to a hunger for psychotherapy. This critical text proposes that the horror film’s primary purpose is to present monsters, best understood as deformed and destructive beings. These monsters satisfy the audience’s desire to know these beings, in particular those beings too fantastic and dangerous to know in real life. The text illuminates many aspects of the horror film genre, including epistemology, ethics, evaluation, history, monster taxonomy, and filmmaking techniques.
This collection of new essays examines the space horror subgenre, with a focus on such films as Paul W.S. Anderson's Event Horizon, Duncan Jones' Moon, Mario Bava's Planet of the Vampires and John Carpenter's Ghosts of Mars.
Farmington Hills, MI: Thomson & Gale, 2007. Evens, Peter J. & Helen, Gold Rush-Sourdough Cooking. North San Jaun, CA: No Regrets Press, 1997. Ezra, Ibn, The Commentary of Ibn Ezra On Isaiah. Michael 334 Richard N. Rhoades.
Long Shadows, Nightmare Light by Mark Morris (PS Publishing) is the author's third collection and includes fifteen stories published over the past eighteen years, with two very good originals. Introduction by Christopher Golden.
... Deformed and Destructive Beings (2011) explore the purpose of horror films. Other works take feminist approaches to the horror film, such as Carol J. Clover's Men, Women, and Chain Saws: Gender in the Modern Horror Film (1992) and Linda ...
Accessibly written, The World of Scary Video Games helps the reader to trace the history of an important genre of the video game.
The Legend of the Seven Golden Vampires is a hybrid genre film, which is incorporated with the conventions of Shaw Brothers' Wuxia films and Hammer Pictures' Dracula cycles. It was made in 1973 and distributed in the UK and Hong Kong ...
Scholars of cinema studies, horror, and ecology will find this book of particular interest.
... Deformed and Destructive Beings . The Purpose of Horror Films . McFarland & company , Jefferson ( 2011 ) 44. Clémot , H .: Le Monstre dans la philosophie contemporaine de l'horreur cinématographique . In : Amerika 11 ( 2014 ) . https ...
The film begins with Robert Thorn rushing to the hospital because his wife, Katherine, has gone into labor. He arrives to find that his child has died, unbeknownst to Katherine. Because the couple has already lost several children to ...
Zombie. as. an. American. Monster. Myth. George A. Romero's groundbreaking Night of the Living Dead generated a fresh monster ... and altered to represent the struggles of a distinctly different culture [The Transatlantic Zombie ].