Like many ideological dictatorships of the twentieth century, North Korea has always considered cinema an indispensible propaganda tool. No other medium penetrated the whole of the population so thoroughly, and no other medium remained so strictly and exclusively under state control. Through movies, the two successive leaders Kim Il Sung and Kim Jong Il propagandized their policies and sought to rally the masses behind them, with great success. This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere. Through the lens of cinema emerges a fresh perspective on the history of North Korean politics, culture, and ideology.
Film scholar Jane Feuer points out the efforts to create the illusive presence of community within the musical itself in order to veil the alienation between the professional performers and the anonymous spectators of the film: “The ...
In Split Screen Korea, Steven Chung illuminates the story of postwar Korean film and popular culture through the first in-depth account in English of Shin’s remarkable career.
Aim High in Creation! is her funny, surreal, insightful account of her twenty-one-day apprenticeship there.
Documents the North Korean dictator's 1978 kidnapping of a South Korean actress and her filmmaker ex-husband, describing how they were imprisoned, forced to remarry, and compelled to make films for their captor before their daring escape.
I submitted their memoir and my own questions both to Robert S. Boynton of New York University, an expert on Southeast Asian kidnapping as a political tool, and to the National Association for the Rescue of Japanese Kidnapped by North ...
It analyzes their role in the culture of the film industry, the subjectivity of the viewer, and the impact popular actors and comedians have had on North Korean society.--Dong Hoon Kim, University of Oregon
"Kim Jong Il (1942- ) is leader of North Korea (1994- ). Kim Jong Il succeeded his father, Kim Il Sung, who had ruled North Korea since 1948.
William Gudykunst and Tsukasa Nishida's Bridging Japanese/North American Differences (1994) uses key words (e.g., enryo, on, and giri, roughly translated as “reserve,” “indebtedness,” and “duty”) not only to describe Japanese ways of ...
Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception.
Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references.