What do Bono, Seinfeld and Apple have in common? Nothing. However, it's the nothing of Samuel Beckett, which is something. Bold and provocative, Beckett's works and even his image are a potent force in modern society. Shoes, marketing, baby names--all fall under his spell. This collection of new essays (one exception) finds him incorporated into virtually all aspects of popular culture--television, popular fiction, movies, tattoos, even sports--in a manner that seems to defy classifying. Is it image-making or image-taking? Why is our culture so obsessed with an obscure Irish writer most people have not read? Each essay provides a unique appraisal of Beckett's branding.
This collection of essays examines how popular cultural forms and media are woven into the fabric of Beckett's works and how Beckett continues to have far-reaching impact on popular culture today in a host of different forms, in film and on ...
Ends and Odds brings together nine short dramatic works by the Nobel Prize-winning author of Waiting for Godot.
This collection presents articles that examine Joyce and Beckett’s mutual interest in and use of the negative for artistic purposes.
Selected Papers from the Second International Beckett Symposium Held in The Hague, 8-12 April, 1992 Marius Buning ... since the justification for , and rationalizations of , Beckett's non - reception there are much more fraught - with ...
Beckett and Religion: Beckett/aesthetics/politics
( I have never , before or since , heard anything as moving or precise as her interpretation of the woman's voice in Eh Joe . ) ... My inner rebellion and Mouth's scream became unified , in your view , into the right thing [ .
This collection of essays – the first volume in the Dialogue series – brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett's playEndgame.
A collection of one act plays.
From Caxton to Beckett: Essays Presented to W. H. Toppen on the Occasion of His Seventieth Birthday
89 Rooney passe par les cabinets et sa femme s'écrie : « Ah , me répandre par terre comme une bouse et ne plus bouger ... le récit dans son indétermination fondamentale ( vous connaîtrez ni le jour ni l'heure ) , pour en jouer , 89.