Jelly's Blues: The Life, Music, and Redemption of Jelly Roll Morton

Jelly's Blues: The Life, Music, and Redemption of Jelly Roll Morton
ISBN-10
0786741767
ISBN-13
9780786741762
Category
Music
Pages
320
Language
English
Published
2008-11-05
Publisher
Hachette+ORM
Authors
Howard Reich, William M. Gaines

Description

This “remarkable” biography of the pioneering jazz composer offers “a truly fresh, clear-eyed view of the musician’s career” (Houston Chronicle). Jelly’s Blues vividly recounts the tumultuous life of Jelly Roll Morton, born Ferdinand Joseph Lamonthe in 1890 to a large extended family in New Orleans. A virtuoso pianist with a larger-than-life personality, he composed such influential early jazz pieces as “Kansas City Stomp” and “New Orleans Blues.” But by the late 1930s, Jelly Roll Morton was nearly forgotten as a visionary jazz composer. Instead, he was caricatured as a braggart, a hustler, and, worst of all, a has-been. He was ridiculed by the white popular press and robbed of due royalties by unscrupulous music publishers. His reputation at rock bottom, Jelly Roll Morton seemed destined to be remembered more as a flamboyant, diamond-toothed rounder than as the brilliant architect of that new American musical idiom: jazz. But in 1992, the death of a New Orleans memorabilia collector unearthed a startling archive. Here were unknown later compositions as well as correspondence and court and copyright records, all detailing Morton’s struggle to salvage his reputation, recover lost royalties, and protect the publishing rights of black musicians. Morton was a much more complex and passionate man than many had realized, fiercely dedicated to his art and possessing an unwavering belief in his own genius, even as he toiled in poverty and obscurity. An immediate and visceral look into the jazz worlds of New Orleans and Chicago, Jelly’s Blues is the definitive biography of a jazz icon, and a long overdue look at one of the twentieth century’s most important composers. “A standout achievement . . . an invaluable record of Morton’s brilliant rise and bitter fall.”—The Boston Globe

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