Ansel Adams was hired by the United States Department of the Interior to photograph America's national parks, producing this group of breathtaking images
The Camera--the first volume in Adams' celebrated series of books on photographic techniques--has taught generations of photographers how to harness the camera's artistic potential.
Ansel Adams. See pages 55–57 See Figure 7–2 50 from any other paper I have used. A few minutes in selenium toner changes the color to neutral. Thereafter it does not change in color, but actually intensifies in contrast and depth of ...
Over the following decades, Adams added to this collection to create a stunning view of Yosemite in all its majesty. These photographs, the Yosemite Special Edition Prints, form the core of this essential volume.
Her biography is likely to remain unrivaled. This new edition will bring the classic up to date and includes research that reveals new information and a deeper understanding of his greatest photographs.
With more than two hundred photographs - many rarely seen and some never before published - this is the most comprehensive collection of Ansel Adams' photographs of America's national parks and wilderness areas.
Rosenberg , Edward . " San Francisco Strikes of 1901. " American Federationist 9 ( January 1902 ) : 15—18 . Rosenberg , Emily . Spreading the American Dream . New York : Hill and Wang , 1982 . Rosenblum , Naomi .
The full spectrum of Ansel Adams' work in a single volume, offering the largest available compilation from his legendary photographic career capturing American landscapes.
Gathers previously unpublished color photographs of the Grand Canyon, Monument Valley, El Capitan, Yosemite National Park, Mount McKinley, Mono Lake, Death Valley, and White Sands National Monument.
4 of Basic Photo (Hastingson-Hudson, NY: Morgan and Morgan, 1969), 43. Huber, “In the Land of the Athabaska,” 4. Though these three-picture mountain profiles were a feature of the album, no club member purchased all three pictures.
" Ansel Adams at 100-the highly acclaimed international exhibition and the book, with Szarkowski's incisive critical essay-is the first serious effort since Adams' death in 1984 to reevaluate his achievement as an artist.