In his introduction, William Rothman provides an overview of Cavell's work on film and his aims as a philosopher more generally."--BOOK JACKET.
A philosophical study of popular movies uses the viewer as a point of reference
Murderous Gaze, the Hitchcock villain, master of the art of murder, is also a stand-in for the film's author, Hitchcock, master of what he called the “art of pure cinema.” Hitchcock's villains are his accomplices in artistic creation.
52 In their book-length exposition Reading Cavell's The World Viewed: A Philosophical Perspective on Film (Detroit: Wayne State University Press, 2000), Rothman and Keane barely mention synchronization. In fact, they barely mention ...
In Movies with Stanley Cavell in Mind, some of the scholars who have become essential for our understanding of Stanley Cavell's writing on film gather to use his landmark contributions to help us read new films-from Hollywood and elsewhere ...
In this book, Catherine Wheatley draws upon Cavell's explicitly film-inspired works, key philosophical concepts and autobiographical writings, examining his analyses of films from Hollywood's Golden Age, the French New Wave, contemporary ...
The book is crowned with an interview with Wittgensteinian philosopher Stanley Cavell, discussing his interests in philosophy and in film and how they can come together.
Before and after the profit to me in that explicitly joint course , countless exchanges between William Rothman and me over the years , about film and more or less related matters , have affected these pages , as have his lectures and ...
Pairing of these analyses with discussions of Cavell's precursors, including Emerson, Nietzsche and Mill, the book explores a distinctively American philosophical foundation for the study of Hollywood film.
See also Hitchcock, Alfred Putnam, Hilary, 72, 279 n. 1 Rains, Claude, 113 Ray, Nicholas, 14 realism, 55, 62, 67, 89, 95,159, 234 reality: as ideological construct, 26; relation of drama to, 159, 160; relation of fantasy 120, 150, ...
In this thought-provoking new book, Stanley Cavell, a professor of philosophy and aesthetics at Harvard who has long taken a lively interest in movies, looks closely at these and other questions concerning America's most popular art and the ...